{"id":10064,"date":"2024-08-20T10:13:26","date_gmt":"2024-08-20T10:13:26","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=10064"},"modified":"2024-08-20T10:13:26","modified_gmt":"2024-08-20T10:13:26","slug":"il-giornaliero-di-martedi-19-agosto","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/il-giornaliero-di-martedi-19-agosto\/","title":{"rendered":"Concorto Daily &#8211; August 20, 2024"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]<strong><span class=\"nectar-dropcap\" style=\" color: #f1564f;\">C<\/span><\/strong>oncorto Tuesday offers events for everyone!<\/p>\n<p>At 4:30 PM at the Galleria Ricci Oddi, *Concorto Kids* kicks off: three days of cinema, workshops, and snacks for children aged 3 to 12. Today&#8217;s program includes urban garden exploration workshops and a design thinking activity to make Piacenza more sustainable. We look forward to seeing you there!<\/p>\n<p>At 5 PM at the Salone Amici dell&#8217;Arte, the talk *&#8221;Soil, Urbanization, Agriculture in Piacenza: A Difficult Coexistence&#8221;* will take place with Laura Chiappa and Giuseppe Castelnuovo in collaboration with Legambiente Piacenza. Following the talk, there will be screenings of short films from the *Supernature* focus.<\/p>\n<p>After the afternoon marathon, we&#8217;ll move to Parco Raggio for the competition shorts; following that, the greenhouse will host screenings for the *Focus Palestine* and *Ubik*, while at 11:30 PM, Ibisco will perform live at the Boschetto.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;20&#8243; bottom_padding=&#8221;20&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; 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column_border_style=&#8221;solid&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;10077,10071,10073,10075,10065,10067,10069&#8243; image_grid_loading=&#8221;default&#8221; display_title_caption=&#8221;true&#8221; layout=&#8221;fullwidth&#8221; item_spacing=&#8221;default&#8221; constrain_max_cols=&#8221;true&#8221; gallery_style=&#8221;3&#8243; load_in_animation=&#8221;none&#8221; img_size=&#8221;600&#215;403&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;padding-1-percent&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]\n<h5><span style=\"color: #f1564f;\">400 Cassettes &#8211; Thelyia Petraki<br \/>\n<em>As seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n<p style=\"text-align: right;\"><em>I misbehaved in the\u00a0cosmos yesterday. <\/em><\/p>\n<p style=\"text-align: right;\"><em>I lived around the clock without questions, without surpris<\/em>e.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Wis\u0142awa Szymborska<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Relationships are a complex system of connections, much more intricate than what we can perceive by simply observing reality: an almost quantum-like network of interactions in the way we meet and bond. In the short film *400 Cassettes*\u2014presented at the latest edition of the Locarno Film Festival and making its Italian premiere at Concorto\u2014director Thelyia Petraki explores the boundaries of friendship, sisterhood, and love between Elly and Faye, starting from a lesson in cosmic archaeology in their high school classroom. At an indeterminate moment between the late 1980s and early 1990s\u2014why bother defining &#8220;time,&#8221; the film suggests\u2014the two protagonists reflect, reconnect, and illuminate each other through analog devices, attempting to penetrate the intimacy of the world&#8217;s objects. The questions they ask overlap with all the doubts that accompany any search for self and the meaning of life: none of these questions receive a definitive answer, but that&#8217;s the risk one takes when questioning the cosmos and trying to explain the invisible. In the face of the enigma of eternity, what remains are tapes to listen to, watch, and rediscover in memory.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h5><span style=\"color: #f1564f;\"><em>Zima<\/em> &#8211; Tomek Popakul<br \/>\n<em>As seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">Polish director Tomek Popakul returns to Concorto Film Festival with the short film <\/span><i><span style=\"font-weight: 400;\">Zima<\/span><\/i><span style=\"font-weight: 400;\">, screened as an Italian premiere. The psychedelic journey into adolescence of <\/span><i><span style=\"font-weight: 400;\">Acid Rain<\/span><\/i><span style=\"font-weight: 400;\"> (2019) and the abysses of <\/span><i><span style=\"font-weight: 400;\">The Moon<\/span><\/i><span style=\"font-weight: 400;\"> (2020) appear to meet in this latest animation, a grim and immersive trip, punk and lyrical, hard to identify and full of continuous suggestions, and for these very reasons breathtaking.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The analog texture, the ever-changing angle and the rough drawing lead us into an anti-linear narrative jungle, divided into four chapters: on a sea of ink, a few characters emerge , starting with a couple formed by a boy and a girl, to which new faces are added, those of men from an unidentified village together with another well known, that of Jesus. The only common denominator is winter, as the title suggests. It is useless to search for meanings in this tangle of\u00a0 stories curled up in beliefs, rituals and folklore, sacred and profane: when navigating in the black of the unconscious, everyone can cherry-pick the spiritual trait they desire. \u201cWhy, don\u2019t ask me why\u201d indeed suggests a melancholic dirge in the second half of the film. But at a certain point, one gets the impression that one of the many forces at play prevails over the presented chaos: the force of nature, ready to lay claim to its place in the world.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h5><span style=\"color: #f1564f;\"><em>Dancing in the corner\u00a0\u00a0<\/em>(Taniec W Naro\u017cniku) &#8211; Jan Bujnowski<br \/>\n<em>As seen by Carola Visca<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">In <\/span><i><span style=\"font-weight: 400;\">Dancing in the corner<\/span><\/i><span style=\"font-weight: 400;\"> family memories and love for football intertwine with the history of Poland after the fall of communism. A child\u2019s imagination and dreams pass through a TV screen, whose interference and distortions make the viewing of the key moments for the national football team impossible. And yet, the father-son relationship grows stronger thanks to this removal game, and the defective screen offers the two of them blank spaces to fill with their own imagination. The gradual improvement of technology &#8211; which is now also in polish homes &#8211; and the clearness of the screen will correspond to the main character\u2019s growth, now adult, who sees the world with different and disillusioned eyes.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h5><span style=\"color: #f1564f;\"><em>Aitana<\/em> &#8211; Marina Alberti<br \/>\n<em>As seen by Eva Olcese<\/em><\/span><\/h5>\n<p style=\"text-align: right;\"><em><span style=\"font-weight: 400;\">\u00abCuando yo todo lo olvide y cante\u00a0<\/span><span style=\"font-weight: 400;\">como mi abuela con la \u00faltima luz de la memoria, <\/span><\/em><\/p>\n<p style=\"text-align: right;\"><em><span style=\"font-weight: 400;\">perdonadme vosotros, los que os agarrasteis a mi vestido <\/span><\/em><\/p>\n<p style=\"text-align: right;\"><em><span style=\"font-weight: 400;\">con vuestras manitas tan peque\u00f1as\u00bb <\/span><\/em><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\">[Mar\u00eda Teresa Le\u00f3n]<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">A room that is a treasure chest of memories: sheets of paper, photographs, poems and dates are piled up in Antiana\u2019s memory, while her daughter Marina urges her to remember. Antiana is indeed the last custodian of a story that is at risk of disappearing, the exile story of her parents, Rafael Alberti, poet and painter, and Mar\u00eda Teresa Le\u00f3n, writer, two intellectuals who believed in democracy and who tried to go back to Spain to defend the republic, before being exiled by Franco. The same destiny befell Antiana, that like her mother Mar\u00eda, is now forgetting, piece after piece, her own life. Archive footage is combined with the damaged shooting of a life which is ending.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h5><span style=\"color: #f1564f;\">After Dawn &#8211; Yohann Kouam<br \/>\n<em>As seen by Eva Olcese<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">From dawn to dusk (and then again at dawn) we follow a day in the suburb of Yves, a young artist who moved to Berlin, Haza, a deaf 14-year-old, and D\u00e9borah, a basketball coach. The stories of those who left, those who stayed, and those who were about to run away from Paris public housing, interwine without ever meeting each other. A clear picture frames the adulthood scenario which is still in dark colors.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h5><span style=\"color: #f1564f;\"><em>On The Impossibility Of Homage &#8211;<\/em>\u00a0Xandra Popescu<br \/>\n<em>As seen by Virginia Marcolini<\/em><\/span><\/h5>\n<p>When we watch a film, who is responsible for what we see? The director or the subject? It&#8217;s on this provocation that Xandra Popescu presents a portrait of the former dancer, now choreographer, Ion Tugearu\u2014or at least tries to. Speaking directly to the camera, Ion constantly questions the director&#8217;s approach to the subject, suggesting alternative solutions that would make his &#8220;tribute film&#8221; truly that. Having been a creative subject, one cannot accept the degrading role of a depicted object, the product of someone else&#8217;s creation. How, then, can one pay tribute to a demiurge now in decline, honoring their present without overshadowing their past achievements? It&#8217;s impossible.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h5><span style=\"color: #f1564f;\">A mother goes to the beach &#8211; Pedro Hasrouny<br \/>\n<em>As seen by Virginia Marcolini<\/em><\/span><\/h5>\n<p>&#8220;Uma M\u00e3e Vai \u00e0 Praia&#8221; (2022), directed by Pedro Hasrouny, is a delicate short film that explores the intimate relationship between Teresa, a single mother, and her son Benji. Set during what is supposed to be a relaxing day at the beach, the episode reveals the stress and frustration of a woman trying to stay afloat while managing both herself and a dependent child. Through a minimalist approach and a focus on simple, everyday gestures, Hasrouny delves into deep emotions such as maternal care and love, capturing the passage of time and the small moments that define family bonds. 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