{"id":10438,"date":"2025-08-23T11:37:05","date_gmt":"2025-08-23T11:37:05","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=10438"},"modified":"2025-08-23T15:06:29","modified_gmt":"2025-08-23T15:06:29","slug":"il-giornaliero-di-sabato-23-agosto","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/il-giornaliero-di-sabato-23-agosto\/","title":{"rendered":"Concorto Daily – August 23, 2025"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]T<\/span><\/strong>he week of Concorto is coming to an end and this year\u2014perhaps more than in previous ones\u2014it feels as though it has flown by in a heartbeat. A beautiful heartbeat filled with visions from all over the world, with images, minds, hopes, pain, and rebirth, sustaining us through the year that separates us from the next edition.<\/p>\n

We thank you for following us, reading us each day, and for exploring with us the universe of Concorto Film Festival. Up next, as always, the Asinelli d’Oro<\/strong>, the prizes awarded by the editorial team of Asino Vola<\/em>!<\/p>\n

Today\u2019s final events: at 4 pm, one last chance to experience VR with Hito Meikyu<\/em> at Rathaus; at 6 pm, in the Amici dell\u2019Arte Hall, the special screening of the project from the Futura Memoria<\/strong> workshop, led by Caterina Erica Shanta.<\/p>\n

Then, everyone to Parco Raggio for the grand finale! At 8 pm dinner, at 9 pm the awards ceremony and screenings of the winning films. And from 11:30 pm in the Greenhouse: Concortissimo<\/strong> and CineUnderground<\/strong>.<\/p>\n

See you in 2026\u2014the donkey flies, and will keep on flying!<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”20″ bottom_padding=”20″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”10425,10333,10391,10439,10387,10331,10357,10188,10218,10349,10427,10370,10340,10390″ image_grid_loading=”default” display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]\n

Grandma Nai Who Played Favorites (Chao Somnop Chet) – Chheangkea<\/em>
\nAsinello d’oro di Alice De Vito<\/em><\/span><\/h5>\n

My Golden Donkey<\/strong> goes to the film Grandma Nai Who Played Favorites<\/em> (Chao Somnop Chet<\/em>), because it tackles a theme as important as it is delicate with an original gaze, capable of engaging different generations who\u2014overcoming their differences\u2014find themselves united by love.<\/p>\n

The cinematography, both elegant and evocative, does more than frame the narrative: it amplifies the characters\u2019 emotional states, making their vulnerability and inner strength almost palpable.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Samba infinito – Leonardo Martinelli<\/em>
\nAsinello d’oro di Vanessa Mangiavacca<\/em><\/span><\/h5>\n

Every work by Leonardo Martinelli creates boundless visual and sensory tides: my Golden Donkey goes to Samba Infinito<\/em>. It made me think of the word \u201ccounterpower\u201d<\/em>: stories of lives and bodies usually pushed to the margins take on absolute centrality in a brilliant and flamboyant way, becoming vessels of the many expressions of Brazilian culture. How alive short cinema is. Samba with love.<\/em><\/p>\n

There are two other short films I would like to mention, for the simple and natural way they personally touched me, opening a small window onto the past and another onto the days to come: the animations Les Bottes de la nuit<\/em> by Pierre-Luc Granjon and Fille de l\u2019eau<\/em> by Sandra Desmazi\u00e8res.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

No skate! – Guil Sela<\/i>
\nAsinello d’oro di Francesca Marchesini<\/em><\/span><\/h5>\n

I award my Golden Donkey to No Skate!<\/em> for the authenticity and irony with which Guil Sela has been able to revisit and reinvent the auteur romantic comedy.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Sammi, Who Can Detach His Body Parts –\u00a0Rein Maychaelson<\/em>
\nAsinello d’oro di Virginia Marcolini<\/em><\/span><\/h5>\n

I chose to award the Golden Donkey to Sammi, Who Can Detach His Body Parts<\/em> for its extraordinary ability to portray loss and absence through a language that blends the grotesque with tenderness. Through a body that fragments and gives itself away, the film makes absence tangible and physical, transforming a surreal metaphor into a universal emotional experience.<\/p>\n

It is precisely in this tension\u2014between the impossibility of wholeness and the acceptance of loss\u2014that the film\u2019s strength lies: in its ability to speak of what wounds us most with an inventive, delicate, and strikingly human language.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Autokar –\u00a0Sylwia Szki\u0142\u0105d\u017a<\/em>
\nAsinello d’oro di Laura Savoini<\/em><\/span><\/h5>\n

The theme of immigration concerns us all, and always has. Sylwia Szki\u0142\u0105d\u017a<\/strong> has managed to portray it in a tender, at times humorous, and never superficial way\u2014telling reality through the lens of imagination.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Il burattino e la balena –\u00a0Roberto Catani<\/em>
\nAsinello d’oro di Serena Varrucciu<\/em><\/span><\/h5>\n

IL BURATTINO E LA BALENA( The Puppet and the Whale)<\/span><\/p>\n

I appreciated this reinterpretation of Collodi’s fairy tale, and especially its animation, which effectively conveys this possible dark and unsettling future.\u00a0<\/span><\/p>\n

Special mention:\u00a0<\/span><\/p>\n

If I have to choose only among the films in competition, then I pick LE DIABLE E LA BICYCLETTE<\/span><\/p>\n

If instead I can choose from all the films I saw, my mention goes to A BRIGHTER SUMMER DAY FOR THE LADY AVENGERS<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Jour de vent –\u00a0Martin Chailloux, Ai Kim Crespin, Elise Golfouse, Chlo\u00e9 Lab, Hugo Taillez, Camille<\/em>
\nTruding<\/em>
\nAsinello d’oro di Carola Visca<\/em><\/span><\/h5>\n

I award my Golden Donkey to Jour de Vent<\/em> for the delicate gaze with which, in just a few minutes, it manages to trace profound human connections. Through the poetry of the wind, this little animated gem pays tribute to life and makes peace with death.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Agapito –\u00a0Arvin Belarmino e Kyla Romero<\/em>
\nAsinello d’oro di Anna Vullo<\/em><\/span><\/h5>\n

My Golden Donkey goes to Agapito<\/em> for the effective way in which Arvin Belarmino and Kyla Danelle Romero succeed in portraying the Filipino community and the universal desire to spend quality time with our loved ones\u2014through dialogue, choreography, and song. All of this, without ever leaving the bowling alley.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Mojappi – Nijitaro<\/em>
\nAsinello d’oro di Virginia Carolfi<\/em><\/span><\/h5>\n

My Golden Donkey goes to Mojappi<\/em> by Nijitaro, for depicting childhood without paternalism or false morals\u2014and doing so in just three minutes while making you burst out laughing.<\/p>\n

Special mention to Filante<\/em>, because it is a wonderful film: from the story, to the illustrations, to the soundtrack. And I also want to mention Grandma Nai Who Played Favorites<\/em> (Chao Somnop Chet<\/em>) for the sweetness of its narrative and the delightful irony that runs through it.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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