{"id":10534,"date":"2026-08-11T16:40:22","date_gmt":"2026-08-11T16:40:22","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=10534"},"modified":"2026-08-11T16:40:22","modified_gmt":"2026-08-11T16:40:22","slug":"concorto-kids-2026","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/concorto-kids-2026\/","title":{"rendered":"Concorto Kids 2026 &#8211; The reviews"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: right;\"><em>curated by Enrica Carini and Virginia Carolfi<br \/>\n<\/em><\/p>\n<p><strong><span class=\"nectar-dropcap\" style=\" color: #f1564f;\">E<\/span><\/strong>very year, Concorto Kids revolves around a specific theme: in 2022, the theme was Reading; in 2023, Visual Arts; in 2024, Environment and Sustainability; in 2025, The Music of the Earth. Concorto Kids 2026 \u2013 The Memory of Water is dedicated precisely to WATER, a fundamental element for life, a precious resource, and a universal symbol spanning nature, history, myths, the arts, and cinematic narratives.<\/p>\n<p data-path-to-node=\"1\">The theme is explored through a variety of perspectives:<\/p>\n<ul data-path-to-node=\"2\">\n<li>\n<p data-path-to-node=\"2,0,0\"><b data-path-to-node=\"2,0,0\" data-index-in-node=\"0\">Water as a common good:<\/b> sustainability, resource protection, climate change;<\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"2,1,0\"><b data-path-to-node=\"2,1,0\" data-index-in-node=\"0\">Water as origin:<\/b> ancient seas, biodiversity, the birth of life;<\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"2,2,0\"><b data-path-to-node=\"2,2,0\" data-index-in-node=\"0\">Water as landscape:<\/b> rivers, lakes, seas, and territories to discover and protect;<\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"2,3,0\"><b data-path-to-node=\"2,3,0\" data-index-in-node=\"0\">Water as imagination:<\/b> stories, sounds, music, cinema, and animation;<\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"2,4,0\"><b data-path-to-node=\"2,4,0\" data-index-in-node=\"0\">Water as a sensory experience:<\/b> listening, movement, sound, hands-on activities.<\/p>\n<\/li>\n<\/ul>\n<p data-path-to-node=\"3\">Through hands-on activities and shared viewing sessions, children are guided to develop environmental awareness, a sense of responsibility, and curiosity towards the natural world, in line with the goals of Agenda 2030 and the principles of sustainability education. Concorto Kids 2026 \u2013 The Memory of Water is made possible by Fondazione di Piacenza e Vigevano, Iren \u2013 Comitato Territoriale di Piacenza, and Comune di Piacenza.<\/p>\n<p data-path-to-node=\"4\">This year, Concorto Kids becomes a competition! The award for the best short film, voted for by the young film buffs, is sponsored by Fonte Plose.<\/p>\n<p data-path-to-node=\"5\">All the details can be found here.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;20&#8243; bottom_padding=&#8221;20&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; 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image_grid_loading=&#8221;default&#8221; display_title_caption=&#8221;true&#8221; layout=&#8221;fullwidth&#8221; item_spacing=&#8221;default&#8221; constrain_max_cols=&#8221;true&#8221; gallery_style=&#8221;3&#8243; load_in_animation=&#8221;none&#8221; img_size=&#8221;600&#215;403&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]\n<h4><strong>The selected shorts<\/strong><\/h4>\n<p><em>curated by Enrica Carini and Virginia Carolfi<br \/>\n<\/em><\/p>\n<p><i><span style=\"font-weight: 400;\">A Pain In The Butt<\/span><\/i><span style=\"font-weight: 400;\"> di Elena Walf, Germania, 2025, animazione, 6\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Am\u00e9rica<\/span><\/i><span style=\"font-weight: 400;\"> di Javier Arias-Stella, Per\u00f9, 2025, fiction, 15\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Amen<\/span><\/i><span style=\"font-weight: 400;\"> di Orph\u00e9e Coutier, Bettina Demarty, Kimie Maingonnat, Laur\u00e8ne Perego, Louise Poulain, Avril Zundel Francia, 2024, animazione, 6\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Ch\u00e8re Fin, (Dear End,)<\/span><\/i><span style=\"font-weight: 400;\"> di Kh\u00e9ma Cousin, Lien Franckel, Laora Le Boursicot, Alissende Masson, Jos\u00e9phine Mounier di Cl\u00e9ment Saden, Francia, 2025, fiction, animazione, 8\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Dancing In The Rain <\/span><\/i><span style=\"font-weight: 400;\">di Chao-chun Yeh, Giappone, Taiwan, 2025, animazione, 6\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Drops <\/span><\/i><span style=\"font-weight: 400;\">di Karsten Kj\u00e6rulf-Hoop, Danimarca, 2017, animazione, 5\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Eeny, Meeny, Miny, Moe!<\/span><\/i><span style=\"font-weight: 400;\"> di Andrea Szelesov\u00e1, Repubblica Ceca, Slovacchia, 2026, animazione, 13\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Experiencing And Learning. And Parenting <\/span><\/i><span style=\"font-weight: 400;\">di Malgorzata Rybak, Polonia, 2025, animazione, 5\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">In Un Mondo Di Lana A Passo Di Valzer <\/span><\/i><span style=\"font-weight: 400;\">di Rita Gherardi, Italia, 2025\/2026, animazione stop motion, 16\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Krake<\/span><\/i><span style=\"font-weight: 400;\"> di Regina Welker, Germania, 2012, animazione, 9\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">L&#8217;Aigle et le Roitelet (The Eagle and the Kinglet)<\/span><\/i><span style=\"font-weight: 400;\"> di Paul Jadoul, Belgio, Francia, 2025, animazione, 6\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Nils Karlsson Pyssling (Simon Small) <\/span><\/i><span style=\"font-weight: 400;\">di Yaprak Morali &amp; Are Austnes, Norvegia, Svezia, Danimarca, 2024, animazione, 4\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Outremer <\/span><\/i><span style=\"font-weight: 400;\">di Hadrien Bonnet, Adrien Calle, Francia, 2017, animazione, 4\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Pic Nic <\/span><\/i><span style=\"font-weight: 400;\">di Anna Amosova, Russia, 2021, animazione, 4\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Reading Between The Lines <\/span><\/i><span style=\"font-weight: 400;\">di Jochen Rall, Svizzera, 2025, animazione, 6\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Rivi\u00e8re Glac\u00e9e <\/span><\/i><span style=\"font-weight: 400;\">di Marion Jamault, Francia, 2026, animazione, 5\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Some Thing <\/span><\/i><span style=\"font-weight: 400;\">di Elena Walf, Germania, 2015, animazione, 7\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">The Sky Was Candy <\/span><\/i><span style=\"font-weight: 400;\">di Anh Tu Nguyen, Germania, 2025, animazione, 3\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Virtuos Virtuelle <\/span><\/i><span style=\"font-weight: 400;\">di Thomas Stellmach, Maja Oschmann, Germania, 2013, sperimentale, 7\u2019<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Volles Nest <\/span><\/i><span style=\"font-weight: 400;\">di Elena Walf, Germania, 2025, animazione, 5\u2019<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;padding-1-percent&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]<em><strong>Reviews by Virginia Carolfi<\/strong><\/em><\/p>\n<p data-path-to-node=\"0\"><b data-path-to-node=\"0\" data-index-in-node=\"0\">A Pain In The Butt<\/b> by Elena Walf, Germany, 2025<\/p>\n<p data-path-to-node=\"1\">A thorn in the bottom is a very annoying thing, especially when you are being chased by the owner of the pointy object in question. But what if things were not quite as dramatic as they seem?<\/p>\n<p data-path-to-node=\"2\"><b data-path-to-node=\"2\" data-index-in-node=\"0\">Am\u00e9rica<\/b> by Javier Arias-Stella, Peru, 2025<\/p>\n<p data-path-to-node=\"3\">Am\u00e9rica is always late for school \u2013 and right there, a sense of solidarity kicks in. Truth be told, it is rarely her fault, as she lives miles away and has to deal with an unsympathetic father. A bicycle could solve many problems, but where to find the money? A film that is delicate and subtly rebellious, dotted with enviable headwear.<\/p>\n<p data-path-to-node=\"4\"><b data-path-to-node=\"4\" data-index-in-node=\"0\">Amen<\/b> by Orph\u00e9e Coutier, Bettina Demarty, Kimie Maingonnat, Laur\u00e8ne Perego, Louise Poulain, Avril Zundel, France, 2024<\/p>\n<p data-path-to-node=\"5\">Life is sweet for a piglet lovingly raised in a convent\u2026 sweet up to a point. When a piglet discovers the fate awaiting him and his companions, the rebellion begins. A hilarious short film about a topic that is anything but hilarious.<\/p>\n<p data-path-to-node=\"6\"><b data-path-to-node=\"6\" data-index-in-node=\"0\">Ch\u00e8re Fin (Dear End)<\/b> by Kh\u00e9ma Cousin, Lien Franckel, Laora Le Boursicot, Alissende Masson, Jos\u00e9phine Mounier, Cl\u00e9ment Saden, France, 2025<\/p>\n<p data-path-to-node=\"7\">The postman of the sea is approaching retirement, and on this final work trip, he bids farewell to all the characters to whom he has delivered mail over long years. An aquatic animation, highly elegant and moving, as fluid as water.<\/p>\n<p data-path-to-node=\"8\"><b data-path-to-node=\"8\" data-index-in-node=\"0\">Dancing In The Rain<\/b> by Chao-chun Yeh, Japan, Taiwan, 2025<\/p>\n<p data-path-to-node=\"9\">Exhausted by the heat, a young girl dreams of a flooded Taipei governed by dancing mice. Amongst the funniest and wildest short films this year, it is a plunge into Oriental aesthetics and melancholy lightness.<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">Drops<\/b> by Karsten Kj\u00e6rulf-Hoop, Denmark, 2017<\/p>\n<p data-path-to-node=\"11\">The adventure of a water droplet experienced firsthand, complete with a plot twist: are we certain that every droplet wants to go back to being a cloud? Watercolour drawings and admirable Nordic synthesis for a short film that transforms a scientific concept into an adventure.<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"0\">Eeny, Meeny, Miny, Moe!<\/b> by Andrea Szelesov\u00e1, Czech Republic, Slovakia, 2026<\/p>\n<p data-path-to-node=\"13\">Could a short film on Greek mythology be missing in the year of the Odyssey?<\/p>\n<p data-path-to-node=\"14\">This time, the offspring of the gods take centre stage, and we discover that childhood is the same even on Mount Olympus: bullies, misunderstandings, misfits. And so, a little sun god finds his place far from home, among humans.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Experiencing And Learning. And Parenting<\/b> by Malgorzata Rybak, Poland, 2025<\/p>\n<p data-path-to-node=\"16\">How difficult it is to be a child in a world of adults: Rybak\u2019s short film is &#8220;shot&#8221; at a child\u2019s eye level, so we only glimpse legs and shoes. We cannot understand what they are saying at all, much like in the Peanuts cartoons; the protagonist gives it her all and, in the end, she will learn.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">In Un Mondo Di Lana A Passo Di Valzer (In a World of Wool at a Waltz Pace)<\/b> by Rita Gherardi, Italy, 2025\/2026<\/p>\n<p data-path-to-node=\"18\">A delightfully delicate stop-motion animation takes us to the banks of a river to discover the comical adventures of a group of woodland creatures. Set to the waltzes of the Strauss family, little stories flow just like mountain streams.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\">Krake<\/b> by Regina Welker, Germany, 2012<\/p>\n<p data-path-to-node=\"20\">It happens to everyone to feel strange at times, as if someone were inhabiting our mind and troubling our thoughts. The protagonist of this animation makes friends with the creature living inside her, perhaps giving it a little too much familiarity.<\/p>\n<p data-path-to-node=\"21\"><b data-path-to-node=\"21\" data-index-in-node=\"0\">L&#8217;Aigle et le Roitelet (The Eagle and the Kinglet)<\/b> by Paul Jadoul, Belgium, France, 2025<\/p>\n<p data-path-to-node=\"22\">The kinglet is a microscopic yet feisty bird; the protagonist of stories and legends across all European cultures, in this short film he steps up to challenge even an eagle. In a masterfully animated story reminiscent of David and Goliath, our little kinglet proves that size is not what makes a king.<\/p>\n<p data-path-to-node=\"23\"><b data-path-to-node=\"23\" data-index-in-node=\"0\">Nils Karlsson Pyssling (Simon Small)<\/b> by Yaprak Morali &amp; Are Austnes, Norway, Sweden, Denmark, 2024<\/p>\n<p data-path-to-node=\"24\">Following the much-loved <i data-path-to-node=\"24\" data-index-in-node=\"25\">The Tomten and the Fox<\/i> screened in 2022 for the first edition of Concorto Kids, Yaprak Morali returns to Concorto with a new film once again inspired by a story by Astrid Lindgren. Nils Karlsson Pyssling is a magical creature like the Tomte, and here too he speaks to us of friendship and unexpected bonds.<\/p>\n<p data-path-to-node=\"25\"><b data-path-to-node=\"25\" data-index-in-node=\"0\">Outremer<\/b> by Hadrien Bonnet, Adrien Calle, France, 2017<\/p>\n<p data-path-to-node=\"26\">Water is the protagonist of this edition of Concorto Kids, and the sea is the ultimate aquatic element. There are those who go to the seaside to have fun and those who must cross it to escape violence and poverty \u2013 but the journey undertaken is certainly not a pleasant one.<\/p>\n<p data-path-to-node=\"27\"><b data-path-to-node=\"27\" data-index-in-node=\"0\">Pic Nic<\/b> by Anna Amosova, Russia, 2021<\/p>\n<p data-path-to-node=\"28\">A sweet woodland animation in which a simple picnic becomes the trigger for a series of funny and unexpected adventures, especially for the human involved.<\/p>\n<p data-path-to-node=\"29\"><b data-path-to-node=\"29\" data-index-in-node=\"0\">Reading Between The Lines<\/b> by Jochen Rall, Switzerland, 2025<\/p>\n<p data-path-to-node=\"30\">An exceptionally elegant animation that takes us between the lines of a newspaper: boundaries dissolve, news slips into sports, models wave to each other from page 8 to page 16, trains cross plains made of letters, and we have a wonderful time.<\/p>\n<p data-path-to-node=\"31\"><b data-path-to-node=\"31\" data-index-in-node=\"0\">Rivi\u00e8re Glac\u00e9e<\/b> by Marion Jamault, France, 2026<\/p>\n<p data-path-to-node=\"32\">Can you talk about evolution in 5 minutes? Yes, and Marion Jamault does it brilliantly! The director of <i data-path-to-node=\"32\" data-index-in-node=\"104\">Filante<\/i> gives us another gem where the eye is captivated by the animation, the ear by the soundtrack, and the mind dances alongside Charles Darwin.<\/p>\n<p data-path-to-node=\"33\"><b data-path-to-node=\"33\" data-index-in-node=\"0\">Some Thing<\/b> by Elena Walf, Germany, 2015<\/p>\n<p data-path-to-node=\"34\">Gold, metals, precious stones, oil \u2013 the grand mountains show off their resources and mock the small hill whose only treasure is a seed. But in the long run, the true worth of a resource will prove to be quite different.<\/p>\n<p data-path-to-node=\"35\"><b data-path-to-node=\"35\" data-index-in-node=\"0\">The Sky Was Candy<\/b> by Anh Tu Nguyen, Germany, 2025<\/p>\n<p data-path-to-node=\"36\">How do you describe a child\u2019s day? 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