{"id":10612,"date":"2026-08-22T10:06:50","date_gmt":"2026-08-22T10:06:50","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=10612"},"modified":"2026-08-22T10:06:50","modified_gmt":"2026-08-22T10:06:50","slug":"il-giornaliero-di-sabato-22-agosto26","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/il-giornaliero-di-sabato-22-agosto26\/","title":{"rendered":"Concorto Daily – August 22, 2026"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]H<\/span><\/strong>ere we go: #Concorto2026 starts today!<\/p>\n

Are you ready to dive into short films, night-time greenhouses, parks, flying donkeys, late-afternoon snacks, and wonder under the stars?<\/p>\n

The gates of Parco Raggio open at 8 pm for a lovely dinner at the grove featuring Giust\u00e9. From 9 pm, the international short films in competition begin; at 11:30 pm in the greenhouse, it\u2019s time for Concortissimo, followed by complete madness with TO_Horror’s cut.<\/p>\n

See you later!<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”20″ bottom_padding=”20″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”10623,10621,10619,10617,10615,10613″ image_grid_loading=”default” display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]\n

Barazioak – Lur Olaizola Lizarralde <\/span><\/h5>\n
As seen by Anna Vullo<\/em><\/span><\/h5>\n

In a bookbinding workshop, Alicia, Maite, Unai and Merchen cut, saw and glue pages together to give books a new lease on life. As they work, they chat about life and loss. Bach\u2019s <\/span>Goldberg variations <\/span><\/i>play<\/span> on the radio, echoing their own experiences, alike in some ways,\u00a0 yet each different and deeply personal. <\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Taxi Moto – Ga\u00ebl Kamilindi<\/em>
\nAs seen by Anna Vullo<\/em><\/span><\/h5>\n

A director is denied the opportunity to shoot a film in his home country. Forced to relocate production, he finds a new actor with whom he begins exploring new creative approaches, in a space suspended\u00a0 between reality and fiction. In <\/span>Ga\u00ebl Kamilindi\u2019s short film, cinema emerges as a medium of resistance and freedom.\u00a0<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

D\u00ebmm – A\u00efda Captijn
\n<\/em>As seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n

Shot in the streets of Dakar, <\/span>D\u00ebmm <\/span><\/i>is a highly visual work of fiction that moves between everyday life and mystical tension. The focus is on Mati, a young woman who has recently lost her mother. In an attempt to navigate the void left by her absence and find answers in a deeper, unexplored part of herself, Mati ventures into a territory where grief gradually becomes a rite of passage.<\/span><\/p>\n

Her journey leads her to a group of women, the so-called \u201csoul-eaters\u201d – <\/span>d\u00ebmm<\/span><\/i> in Wolof – enigmatic yet salvific figures, who accompany Mati towards the water, a place of stillness, transformation and potential rebirth.<\/span><\/p>\n

With a sparse narration, built around gestures and apparitions, the short film by A\u00efda Captijn, a Swiss director of Senegalese origins, shows elements\u00a0 of Senegal\u2019s cinematic tradition, reinterpreting them through a contemporary lens. and\u00a0 The director follows in the footsteps of a new generation of women filmmakers \u2013 first and foremost, Mati Diop \u2013 that are resorting to their inheritance to question it from a contemporary perspective, bringing imaginaries, myths and memories back to the surface through a deeply feminine gaze.<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Another Day Shall Come – Aida Kaadan
\nAs seen by Laura Savoini<\/em><\/span><\/h5>\n

A voice traces the landscapes of Mount Carmel, reflecting on the pain that has accompanied the Palestinian people since 1948. Another, this time through the streets of Haifa, wonders what the city would look like had it not been occupied. The shots of Tel Aviv reveal a metropolis that rivals the major cities of the world in terms of modernity and comfort, were it not for the Israeli soldiers, civilians walking around with submachine guns, and yet another voice describing what it means to be Palestinian in a world custom-built to erase your identity. These are some of the stories told in Aida Kaadan\u2019s short film, which, through a handful of anonymous testimonies, conveys the emotions, exhaustion, and struggle of the Palestinian people to survive not only genocide, but total extinction.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Dernier printemps – Mathilde B\u00e9douet
\nAs seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n

Following the success of \u00c9t\u00e9 96<\/i> \u2013 winner of the 2024 C\u00e9sar for Best Animated Short Film \u2013 Mathilde B\u00e9douet\u2019s mastery of rotoscoping returns to explore the geography of emotion in a new season, both of the year and of life. Premiered at the Cannes Film Festival and making its Italian debut at Concorto Film Festival, Dernier printemps<\/i> is an animated summer novella. It carries the fragrance of Mediterranean maquis and echoes like those love songs sung at the top of your voice \u2013 or blasted into your ears through an MP3 player \u2013 on a beach, wrapped in nothing but the wild sensation of falling in love that overpowers every sense. It vibrates like the imperfect, textured strokes of a wax crayon, which feel so real precisely because of those flaws.<\/p>\n

Set roughly in the first decade of the 2000s, we join Marion, a teenager on holiday on a small island alongside her best friend and a group of boys. As in her previous short, B\u00e9douet observes her characters during a fragile, unrepeatable moment of inner transformation: often all it takes is a single night, a fleeting stretch of time, and almost always the closeness of water, for what seemed fixed to suddenly take on a new shape. Navigating friendship, desire, silences, and solitude, through warm, delicate storytelling and a constellation of glances, hesitations, and subtle gestures, Dernier printemps<\/i> captures an intimate portrait of that uncertain age when you are still a teenager, yet already \u2013 almost without realising it \u2013 starting to leave that world behind.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text text_direction=”default”]\n

Myggor & Salta Pinnar – Ville Gobi
\nAs seen by Francesca Marchesini<\/em><\/span><\/h5>\n

Forget Ari Aster and his bloody rituals: during a real Swedish Midsommar, the only things sacrificed are litres upon litres of Schnapps. Ville Gobi\u2019s short film is joyful, chaotic, and a little mad\u2014just as only family celebrations can be. Between one toast and the next, whispers circulate that a well-known name in European music has arrived in town\u2026 could it be true? But that\u2019s not what matters. What truly counts are the laughs, the dancing, the camera moving swiftly from one face to another, and the bravery of little Alba.[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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