{"id":6535,"date":"2017-08-20T14:04:29","date_gmt":"2017-08-20T14:04:29","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=6535\/"},"modified":"2017-08-20T14:25:13","modified_gmt":"2017-08-20T14:25:13","slug":"concorto-daily-august-20","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/concorto-daily-august-20\/","title":{"rendered":"Concorto Daily – August, 20"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]W<\/span><\/strong>hat\u2019s on today? Yesterday we (almost) skipped rain and today we look forward to a full week of short movies, music and art!
\nWe begin at 6pm with the afternoon screenings in Palazzo Ghizzoni Nasalli\u2019s beautiful greenhouse (vicolo Serafini 12); protagonists will be the 9 awarded shorts of the Transparency International<\/strong> competition \u201cImagine a world win no corruption\u201d, intense film shot by young cin\u00e9philes from Hungary, Slovenia and Italy.
\nWe will then move to Parco Raggio (Pontenure) for the evening screenings, beginning with two shorts from the BORDERS<\/strong> competition: La temptation de la <\/strong>fortesse by Martina Magri and Do Not Come to Europe<\/strong> by Lundberg Minna, Pousette Hanna & Jonestr\u00f6m Pontus, here you can find the reviews<\/a>.
\nBack to the main competition, we have the Canadian Sigismond Sans Images<\/strong> by Alb\u00e9ric Aurten\u00e8che, a well-done metaphor on the relationship between identity and image; we will then move to Poland with The Kid<\/strong> by Pawe\u0142 Podolski, an intense tale of a brief relationship between a young man and the daughter of a strip-teaser. Experimental digression for Elle, la <\/strong>maison et le chat<\/strong> by Sofia G\u00e9ldrez who\u2019s here with us and will be interviewed live on stage (here the review <\/a>of the short).
\nThe evening screenings will end with Whoever Was Using This Bed<\/strong> by Andrew Kotatko, inspired by Raymond Carver\u2019s short story; Pouvez-<\/strong>vous boitier?<\/strong> by Petra Szocs, which focuses on the painful and exhausting process of grief elaboration and Copa-Loca<\/strong> by Christos Massalas, an ironic metaphor of Greek economic crisis set in an abandoned amusement park.
\nFor those of you who like to experiment, at 11.30pm in the greenhouse we will screen some shorts of the UBIK<\/strong> session (here the reviews<\/a>), while all you dancing-lovers will rejoice in the wood thanks to Gigi Proiettile and his Orchestra<\/strong>.
\nLast but not least, the interview<\/strong> (Italian Only) with director and artist David Krippendorff (member of the jury of Concorto 2017) and the reviews<\/strong> of the shorts in competition![\/vc_column_text][vc_video link=”https:\/\/youtu.be\/WbnIeizKjvs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”6537,6538,6539,6536,6540″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
Sigismond Sans Images – Alb\u00e9ric Aurten\u00e8che
\nSeen by Margherita Fontana\u00a0<\/em><\/span><\/h5>\n

Young Sigismond Langlois is forced to undertake a psychiatric evaluation because of his\u00a0violent behaviour. During the dialogue with the psychoanalyst, Freud\u2019s personification, a puzzling\u00a0reality emerges: there is no device, be it a mirror or a smartphone camera, that can capture his
\nimage. The short film describes with an ironical and surreal vocabulary the generational gap: the\u00a0same adults who condemn youngers\u2019 narcissism are absorbed by their smartphone screens. This is\u00a0the reason why Sigimond doesn\u2019t look at Narcissus, in love with his own image, to build his
\nidentity, but instead he refers to the nymph Echo, destined to repeat what others say, losing herself in the flux of reality. In the background, a political consideration: the mechanism of old political representation
\nremains deaf to the statement of flesh-and- blood existence.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

The Kid – Pawe\u0142 Podolski
\nSeen by Carlotta Magistris<\/em><\/span><\/h5>\n

International premi\u00e8re at Concorto 2017, The Kid in a soft and ironic way tells a quite complicated story about a guy still very attached to his youth \u2013 he wears his favourite hardcore band’s t-shirt and keeps in his wallet as a relic an autographed ticket of the same band \u2013 who is worried about an oncoming paternity and who finds himself in a pickle. He suddenly has to take care of Ula, the daughter of a stripteaser, who moves to his house right out of the blue. Podolski excellently portrays the man\u2019s attempts to establish a connection and, on the other hand, the childish attachment of a girl grown up without a paternal presence, all wrapped up in a happy end with no plot twists but pleasant in his simplicity that leaves to the viewer a bittersweet and tender aftertaste.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Whoever was using this bed – Andrew Kotatko
\nseen by Elena Saltarelli<\/em><\/span><\/h5>\n

In this 21-minutes-long short film, inspired by a Carver\u2019s novel, we see the life of a young couple\u00a0radically change after a woman\u2019s phone call in the middle of the night, inside their brand new\u00a0home. Both their deepest fears crop up, preventing them from sleeping. Their thoughts became obsessive, imprisoning the couple\u2019s mind and sublimating the object \u2013 the phone \u2013 as a vehicle of their anxiety, was latent until then. A drama unfolding in normal lives, in the folds of an increasingly tired routine.\u00a0A drama unsustainably slight and addressed to the internal, that questions what is the little\u00a0flame that lights up the fire of human thought.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Pouvez-vous boitier? – Petra Szocs
\nSeen by Elena Saltarelli<\/em><\/span><\/h5>\n

Pouvez-vous boitier?, third short film directed by the young Romanian film director, investigates the rough\u00a0and painful land of grief elaboration. The atmosphere, recalled by a succession of static shots and a strong music component (diegetic and extradiegetic), acquires an elegiac and lyric tone. The bet is succeeding in evoking the pain through the stillness and a few, sharp actions. The \u201cthin red line\u201d gets more and more blurred and evanescent, a line that separates reality from stage fiction and the physiological suffering from the stubborn refusal to accept death.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Copa-Loca \u2013 Christos Massalas
\nSeen by Yorgos Kostianis<\/em><\/span><\/h5>\n

For quite a while now, modern Greek cinema has been full to the gills with films tackling the country\u2019s severe economic crisis and its repercussions on its people. The vast majority of these films, however,\u00a0lack the refreshingly symbolic irony of Copa-Loca. Christos Massalas does not directly point a finger at the crisis but rather alludes to it, by introducing the symbolic microcosm of Copa Loca \u2014 an abandoned summer resort. At the heart of this outlandish non-place, we find Paulina, a young girl who takes it upon herself to take care of the people stranded there, either carnally or by keeping them entertained with her bizarre \u201cwould you rather\u201d questions. The mood of the film is masterfully set by the enigmatic and nihilistic\u00a0voice-over narration, which reflects Massalas\u2019 view on the Greek crisis: an entire country transformed into an abandoned summer resort for tourists.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Einstein-Rosen \u2013 Olga Osorio
\nseen by Yorgos Kostianis<\/em><\/span><\/h5>\n

Tackling a theme as complex and mindboggling like as that of the Einstein-Rosen wormhole theory, is surely no easy task. Olga Rosorio, however, makes this task hilariously entertaining. Her film’s protagonist is a young boy named Teo, who tries to convince his brother, \u00d3scar, that he found an active wormhole. The scientific dispute between the young brothers gives an endearingly comical tone to the film that is maintained even after 3 decades, when the protagonists – by now fully-grown adults – continue their juvenile skirmishes.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

A Gentle Night \u2013 Yang Qiu
\nseen by Margherita Fontana<\/em><\/span><\/h5>\n

The events we experience in A Gentle Night are anything but gentle: set in a Chinese nameless urban context and inspired by local crime news, the short movie shows indeed a woman desperately searching for her 13-year-old daughter, run away from home during New Year\u2019s Eve. Winner of Short Film Palme d’Or at Cannes Festival in 2017, the work by Qiu Yang, a young Chinese director who studied in Australia, brings on the screen subjects poorly represented in the official culture of his home country: women, mothers and daughters. In spite of the realistic visual language with political overtones, the actuality of what has happened fades in the mother\u2019s emotional state, whose central role in the film is progressively affirmed. In front of the gestures of denial and indifference, maybe only the night is gentle, attending woman\u2019s whispers.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Le Plombier (The Plumber) – M\u00e9ryl Fortunat-Rossi & Xavier S\u00e9ron
\nseen by Elena Saltarelli<\/em><\/span><\/h5>\n

Being a porn dubber is certainly a little-known job: this 14 minutes-long short film investigates with a fascinated and mischievous eye those who give voice to a genre that doesn\u2019t need so many words.<\/p>\n

Defined by their own directors a com\u00e9die \u00e9rotico-acostique, it mixes the abundance of details, a significant sound effect, allusive and puns-filled dialogues with the naive and light-hearted characters so dear to the French comedy. We do not see very much, but we can imagine everything easily.<\/p>\n

 <\/p>\n

 <\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]hat\u2019s on today? Yesterday we (almost) skipped rain and today we look forward to…<\/p>\n","protected":false},"author":2,"featured_media":6540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[81],"tags":[82,83],"yoast_head":"\nAugust 20 - The Concorto Daily is out - all you need to know<\/title>\n<meta name=\"description\" content=\"All you need to know about Concorto's daily programme: reviews, useful information and some insights you just need to know.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asinovolablog.it\/en\/concorto-daily-august-20\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"August 20 - The Concorto Daily is out - all you need to know\" \/>\n<meta property=\"og:description\" content=\"All you need to know about Concorto's daily programme: reviews, useful information and some insights you just need to know.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asinovolablog.it\/en\/concorto-daily-august-20\/\" \/>\n<meta property=\"og:site_name\" content=\"Asinovola Blog\" \/>\n<meta property=\"article:published_time\" content=\"2017-08-20T14:04:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-08-20T14:25:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asinovolablog.it\/wp-content\/uploads\/2017\/08\/copaloca1-1024x768.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"768\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"concortoblog\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"concortoblog\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/asinovolablog.it\/en\/concorto-daily-august-20\/\",\"url\":\"https:\/\/asinovolablog.it\/en\/concorto-daily-august-20\/\",\"name\":\"August 20 - 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