{"id":6579,"date":"2017-08-22T12:35:07","date_gmt":"2017-08-22T12:35:07","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=6579\/"},"modified":"2017-08-22T13:40:43","modified_gmt":"2017-08-22T13:40:43","slug":"concorto-daily-august-22","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/concorto-daily-august-22\/","title":{"rendered":"Concorto Daily &#8211; August, 22"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span class=\"nectar-dropcap\" style=\" color: #f1564f;\">A<\/span><\/strong>fter surviving a wild night of frenzied dancing, today, the show goes on with a rich program of projections\u00a0and music, curated with our characteristic touch of class.<br \/>\nAt 15:00 at Palazzo Ghizzoni Nasalli, we will start with Summer Connection, a two-day event dedicated to\u00a0debates and projections contemplating the future of short film.\u00a0Later on, at 18:00, we will continue the projections at Palazzo Ghizzoni Nasalli with the second part of\u00a0Focus Argentina, curated by Sara Rinaldi, (you can find all the <a href=\"http:\/\/asinovolablog.it\/en\/focus-argentina-reviews\/\">reviews <\/a>here)\u00a0Following this, the evening projections at the park will start, as per usual, at 21:00, beginning with Initiation\u00a0\u2014 a film of the BORDERS selection\u2014 a primordial story that takes place in the deepest heart of Africa<br \/>\n(you can find the review here).\u00a0The official competition will open with Dadyaa of Bibhusan Basnet and Pooja Gurung, a look into a Nepal\u00a0that is fading away; and continue with Ely Chevillot\u2019s Ce qui \u00e9chappe \u2013 who is also our special guest of the\u00a0evening! &#8211; a disturbing and seductive french film. Then, the trepidation continues with a Britain devoted to\u00a0saints, as described in Vincent Le Port\u2019s experimental documentary, Les L\u00e9gendaires; while in Calamity,\u00a0director Maxime Feyers presents us a claustrophobic yet entertaining film that criticizes the prude\u00a0preconceptions of society towards sexuality and the LGBTQ community. We are, furthermore, very glad to\u00a0have the two main protagonists, Fran\u00e7ois Maquet and Ingrid Heiderscheidt, as guests who will join us on\u00a0stage for a live interview.<br \/>\nThe projections of the official competition will conclude with Carlo Sironi\u2019s Valparaiso, a touching story of\u00a0an unwanted maternity; and Giraffes, a hilarious Dutch comedy based on the innumerable shades of\u00a0sexuality\u2026 on the phone.<br \/>\nLast but not least, an intense nocturnal double projection aw its you at the greenhouse: at 11.30 pm, two\u00a0films of the Focus on Romania (Farul and A Night in Tokoriki, <a href=\"http:\/\/asinovolablog.it\/en\/focus-romania-the_reviews\/\">reviews <\/a>here), and at 00:15 pm fear will fill the\u00a0night air with the second part of DEEP NIGHT selection (here the <a href=\"http:\/\/asinovolablog.it\/en\/deep-night-reviews\/\">reviews <\/a>of the films).\u00a0Meanwhile, in greenhouse, you can find the live set of Ottaven, who we interviewed <a href=\"http:\/\/asinovolablog.it\/en\/serach-for-pleasure-interview-ottaven\/\">here<\/a>.<br \/>\nAnd now, the reviews of the films in competition![\/vc_column_text][image_with_animation image_url=&#8221;6580&#8243; alignment=&#8221;&#8221; animation=&#8221;Fade In&#8221; box_shadow=&#8221;none&#8221; max_width=&#8221;100%&#8221;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;20&#8243; bottom_padding=&#8221;20&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;6586,6585,6582,6584,6583,6581&#8243; display_title_caption=&#8221;true&#8221; layout=&#8221;fullwidth&#8221; item_spacing=&#8221;default&#8221; constrain_max_cols=&#8221;true&#8221; gallery_style=&#8221;3&#8243; load_in_animation=&#8221;none&#8221; img_size=&#8221;600&#215;403&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Dadyaa di Bibhusan Basnet &#8211; Pooja Gurung<br \/>\n<em>seen by Silvia Alberti<\/em><\/span><\/h5>\n<p>Bibhusan Basnet and Pooja Gurung present their second short film, screened also in the Prague Short Film Festival. These two Nepalese directors tell a story based on their country&#8217;s reality and tradition. An elderly couple is the last witness of a small village almost uninhabited. When everyone decides to leave, even without notice, what is the best thing to do? Remain in the name of memories, build memorials for those who have gone, or adapt to change and leave? These are the dilemmas of a world far away, where past generations live anchored to customs that are difficult to preserve. But it refers to topics not too far from the Western world: and we wonder, is there still space for rites?[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Ce qui \u00e9chappe &#8211; Ely Chevillot<br \/>\n<em>seen by Margherita Fontana<\/em><\/span><\/h5>\n<p>Catherine\u2019s life gets upset when she finds out that Clement, her twelve-year-old son, has forced a girl to kiss him in the swimming pool locker room. Presented as Italian premi\u00e8re at Concorto, the short film dissects the grim and visceral relation between mother and son and it alludes at the emerging emotive ad sexual aggressiveness of the boy. The young Belgian director Ely Chevillot uses dramatic and intense close-ups to approach the intertwining of familiar bonds; the focus is on the struggle to establish an authentic and balanced communication. One of the perks of this work lies in director\u2019s ability to describe the tragic nature of this impossible exchange through allusions and cross-references, in an unsettling crescendo which drives the public to the final violent explosion. The intimate photography helps creating a disturbing and claustrophobic atmosphere: house\u2019s confined spaces, the bedroom, the car are the sets where the drama of this emotive dependence is consumed.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Les L\u00e9gendaires &#8211; Vincent Le Port<br \/>\n<em>seen by Elena Saltarelli<\/em><\/span><\/h5>\n<p>This 16-minutes-long short film, directed by the young French director Vincent le Port, should be seen as a research work, which ranges between genres without fitting into no one. We see a construction yard, located in a forgotten (and not geographically reported) valley in Britain, in which some people are setting up a religious sculptural group. Photography alternates between long shots of the valley, rhythmical frames of the work in progress and it focuses\u00a0mostly on the facial expressions and on the body language of the characters. The mordant of the movie is strongly accentuated by the deliberate absence of dialog. Les l\u00e9gendaires has a documentary structure, but it features also purely experimental aesthetics, useful to add a lyric accent, almost spiritual, to the concrete work.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Calamity &#8211; Maxime Feyers<br \/>\n<em>seen by Yorgos Kostianis<\/em><\/span><\/h5>\n<p>France and her husband Lucien come back home from their vacation earlier than expected, only to catch their son, Romain, red-handed, snuggling on the couch with his girlfriend. Romain, visibly alarmed by his parent\u2019s impromptu arrival, attempts to flee, as soon as possible, but his mother insists on them staying over for dinner and won\u2019t take no for an answer. Little does France know that this fateful meeting will make her spiral out of control. Maxime Feyers and S\u00e9verine de Streyker join forces to present us this joyously uncomfortable and delightfully claustrophobic film that castigates the prudish preconceptions of society on sexuality and the LGBTQ society. The film boasts stellar performances by Ingrid Heiderscheidt (Winner of Best Actress Award at Brussels Short Film Festival) and Fran\u00e7ois Maquet\u2019s beguiling interpretation of Cl\u00e9o, the apple of discord, whose mesmerising allure dumbfounds, yet, at the same time, enchants Romain\u2019s family. The cinematography alternates from prissy dinner scenes to voyeuristic boudoir dream sequences that stylistically echo Xavier Dolan\u2019s themes, combined with an exquisite original soundtrack by Manuel Roland.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Valparaiso &#8211; Carlo Sironi<br \/>\n<em>seen by Carlotta Magistris<\/em><\/span><\/h5>\n<p>Winner of the Pardino d&#8217;oro for the best international short movie at Locarno film festival 2016, Valparaiso is the fourth movie by Carlo Sironi, a young experienced director from Rome born in 1983. The movie is the hard story of an unwanted maternity, repudiated and then of the maternal instinct that takes over, played with an amazing interpretation and expression by Manuela Martelli. The figure that emerges is of a woman with a deep inner pain, an irregular immigrate left free by law at the fourth month of pregnancy, who gains an illusory freedom highlighting an inner prison. Sironi represents this figure with a penetrating efficacy and a raw script which leaves room to a more essential empathy.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Giraffe \u2013 Janne Schmidt<br \/>\n<em>seen by Silvia Alberti<\/em><\/span><\/h5>\n<p>Elsa, a water-and-soap girl, is set for an interview, which from the beginning seems rather unusual. In fact, who could ever ask for experienced staff in reproducing animal noises? It will be Elsa, once taken, who will solve a vital problem for the company. The photography recalls the recent successful series &#8220;Black Mirror&#8221;. The pastel tones and bon ton atmosphere contrast with the content. This time, however, we set aside the dystopia, but instead turn to a surely more exhilarating effect. It takes only six minutes to find out![\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]fter surviving a wild night of frenzied dancing, today, the show goes on with&#8230;<\/p>\n","protected":false},"author":2,"featured_media":6586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[81],"tags":[82,83],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - 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