{"id":7068,"date":"2018-08-21T14:52:04","date_gmt":"2018-08-21T14:52:04","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7068"},"modified":"2018-08-21T14:56:39","modified_gmt":"2018-08-21T14:56:39","slug":"august-21-daily","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/august-21-daily\/","title":{"rendered":"Concorto Daily – August 21"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]C<\/span><\/strong>oncorto is almost half way there and we\u2019re ready to kick off today\u2019s screenings which will please even the\u00a0most demanding film enthusiasts.
\nAt 6pm at Palazzo Ghizzoni Nasalli we\u2019ll start with the screenings related to Focus Africa<\/strong>, find the reviews\u00a0<\/a>here.\u00a0At 9pm at Parco Raggio, the screenings of short films in competition will be inaugurated by Yan Bian Shao\u00a0Nian<\/strong>, a Chinese short film set at the border between China and South Korea. Next up, 32-Rbit<\/strong> by Victor\u00a0Orozco (an old acquaintance of ours) recounts the personal experience of the director with Internet; Mon\u00a0<\/strong>amour, mon ami<\/strong> by Adriano Valerio takes us to Italy with a touching story of friendship and love. Xamca<\/strong>,\u00a0featuring a classic Sokurov-style atmosphere, tells the story of an arduous homecoming while Gaze\u00a0<\/strong>confronts us with a dilemma anyone could face. Straight out of UBIK category, we have non-competitive\u00a0works such as Umbral<\/strong>, a visionary short film focused on rites of passage. Let\u2019s go back to films in\u00a0competition with Prends mon poing<\/strong>, an unmissable pulp work, and Kapitalistis an ironic critique to our\u00a0society.\u00a0Tonight in the greenhouse, don\u2019t miss three films from the UBIK<\/strong> category (find the reviews at the bottom of\u00a0the page) and three spine-chilling films from the category DEEP NIGHT<\/strong> (click here for reviews<\/a>). Meanwhile,\u00a0in the Boschetto, a top-notch DJ set by Steiner<\/strong> from Gli Sbandati<\/strong>![\/vc_column_text][vc_video link=”https:\/\/youtu.be\/BgFz-PfjDQ0″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”7081,7069,7071,7077,7073,7079,7075″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
Yan Bian Shao Nian – Wei Shujun
\nas seen by Margherita Fontana<\/em><\/span><\/h5>\n

 <\/p>\n

Yan Bian Shao Nian<\/em> (On the Border) by the Chinese director Wei Shujun was awarded an honorable\u00a0mention during the last Festival de Cannes. This short film takes us on the border between China and\u00a0Korea, where a young boy does anything to leave the country. Through a concise narrative, the director\u00a0tells us that the protagonist comes from a rural community of Korean origins. We follow him on his\u00a0motorbike looking for his drunkard father in the city, hoping to get the permission to leave.\u00a0Unfortunately, the father\u2019s refusal to let him go won\u2019t be the only hurdle to the boy\u2019s dream fulfilment.\u00a0The frigid cinematography depicts a desolate human and architectural landscape: nothing works, even\u00a0if the city is crawling with people but paradoxically everything appears to be empty empty. Without\u00a0falling in cheap sentimentalism, the director manages to translate in images a nearly physical sensation\u00a0of struggle and frustration.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

32-Rbit – Victor Orozco
\nas seen by Elena Saltarelli<\/em><\/span><\/h5>\n

In this animated short film with hints of a documentary, Victor Orozco explores his own relationship\u00a0with the computer world.\u00a0On a dynamic and congested setting, Orozco goes back to human history with quick frames\u00a0emphasizing its triviality and tendency towards repetition. A sad and disenchanted monolog casts a\u00a0light on the narrator\u2019s family memories, bitter prophecies of a contemporary impasse where\u00a0mankind is stuck. The narration features a drop of poetic elegance which doesn\u2019t lead to\u00a0redemption but a delusive realization: \u201cI no longer belong to myself\u201d.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Mon amour, mon ami – Adriano Valerio
\nVisto da Sofia Brugali<\/em><\/span><\/h5>\n

Mon amour, mon ami<\/em> is an intimate short film, a heartfelt confession of two friends, Daniela and Fouad.\u00a0She has fallen in the depths of alcoholism, while he has no residence permit. Their bond become strong,\u00a0almost symbiotic, a relationship which supports both of them. They live together, talk to each other, play,\u00a0sometimes they even dance and sing, until one day Fouad asks Daniela for a big help: marriage. The\u00a0intensity of his proposal shakes and scaries the woman: how can she fake-marries a man who is really in\u00a0love with her? Gently and with impartial eyes, Adriano Valerio leaves room for the thoughts and emotions\u00a0of a man and a woman, exploring the narrow boundaries between love and frendship. All the spectator has\u00a0to do is to keep silent and listen.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Xamca – Gadzhimurad Efendiev
\nas seen by Carlotta Magistris<\/em><\/span><\/h5>\n

The Hamsa<\/em>, short movie by Gadzhimurad Efendiev nominee at the Moscow International Film\u00a0Festival (MIFF) and produced by Alexander Sokurov\u2019s studio is about the difficult journey of Isa whom, after\u00a0having served an undefined sentence in jail, goes back home to his wife and finds a reality\u00a0mutilated by his absence. Desolate settings and a sullen photography seem to reflect the inner\u00a0drama of the character and accompany him as he embarks on an identity re-appropriation\u00a0journey. He faces the rejection of his beloved woman, the resignation of a mother and he\u00a0reaches the consciousness that a new path awaits him and he will have to move alone to seek\u00a0rebirth and inner quietness.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Gaze \u2013 Farnoosh Samadi
\nas seen by Elena Saltarelli<\/em><\/span><\/h5>\n

Gaze<\/em> is a14 minute-long short film by the Iranian director Faroosh Samadi. The story revolves\u00a0around the choice of doing a good deed, knowing that negative consequences might ensue.\u00a0The extremely clean-cut direction allows an excellent visual rendering, yet the real masterpiece in
\nthe timing: pauses and actions are perfectly balanced in order to give importance to a tension that\u00a0doesn\u2019t fade, not even when everything seems to end.\u00a0A particular recognition goes to the acting skills of the protagonist: despite the few dialogues, her\u00a0tranquil expressiveness creates a solid emotional impact that merges with a sense of constant\u00a0suspense, the actual leitmotiv of this work.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Prends mon poing – Sarah Atassi
\nas seen by Margherita Fontana<\/em><\/span><\/h5>\n

Bilal lives in a caravan in the middle of nowhere and works out naked on the ground. He is violent\u00a0when he eats, when he drinks, when he has sex, when he works out and even when he\u2019s riding his\u00a0motorbike. The confrontation with a strong rival triggers a violent crescendo which will result in an\u00a0odd carnal union. His inflated virility borders on the grotesque and ends up representing a unique\u00a0creative power. Sarah Al Atassi\u2019s debut work Prends mon poing<\/em> is an ode to violence perceived as\u00a0a destructive power in the hands of an anti-heroic character who subverts social order.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Kapitalistis – Pablo Monoz Gomez
\nas seen by Sofia Brugali<\/em><\/span><\/h5>\n

Let\u2019s take a peculiar family, made up of a father, a little son and an unruly uncle; add the sound of the\u00a0accordion in the background and mix it in credible sequences, though tending to paroxysm. Then season\u00a0the whole with the ironic criticism of society, et voil\u00e0, here is the recipe of the perfect French-style comedy!\u00a0Kapitalismus deals in a light though not frivolous way with the thousands adventures of a father who, in\u00a0spite of the economic crisis, aims to raise enough money to give his son the backpack he craved for, for\u00a0Christmas. To do this, he will lend himself to the most improbable and various jobs. A modern epic that let us face the inconsistencies of the system in which we live, demystifying it \u2013 \u201cSanta is a capitalist\u201d \u2013 and\u00a0eventually \u201cdestroying\u201d it with the semplicity of a child.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

UBIK – Je me souviens de Sunderland – F\u00e9lix Fattal
\nas seen by Yorgos Kostianis<\/em><\/span><\/h5>\n

For reasons that are not quite clear even to himself, Felix Fattal, budding french director, likes to watch matches of mixed martial arts while he\u2019s working. This strange fascination of his, mixed with his avant-garde directing style based on still imagery, gave birth to the stunning visual poetry Je me souviens de Sunderland<\/em> (I remember Sunderland).\u00a0The film constitutes an esoteric voyage in the fond memories of boxer Ian \u201cThe Machine\u201d Freeman during one of his fights. In these intense moments between blows, Ian is carried away by his childhood memories towards the origins of his passion and violence.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

UBIK – Umbral – Ana Lobato
\nas seen by Claudia Praolini<\/em><\/span><\/h5>\n

It is a hazardous project to create a visual work containing different forms of art.\u00a0Let\u2019s take a picture to a canvas by Vermeer and it will be clear that painting can\u2019t be totally expressed by\u00a0the narrow edges of a photograph; let\u2019s record \u201cThe Nutcracker\u201d and as in the first example we realize\u00a0that filming is an unsuitable medium to frame ballet, as if every art form needs its own distinct\u00a0consideration, without which their different powers annihilate, instead of accumulating.\u00a0This is the reason why it is very risky to include a poem, in its natural form, recitation, in a short film, but
\nthe director of Umbral finds the key to make a very brief short movie in which she manages to balance\u00a0between images and words. In a sublime expression of love for the Poet, she chooses to show the most\u00a0common way in, to portray a rite of passage which, as every rite celebrating change, will be intended as a\u00a0gesture of humility and respect toward the most precious thing that we can inherit: the poem of a poet\u00a0which guides us in our perpetual changing, through rooms, searching for our place in the world.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

UBIK – La tigre de Tasmanie – Vergine Keaton
\nas seen by Claudia Praolini<\/em><\/span><\/h5>\n

The images opening this elaborated animation picture the last specimen of Thylacinus cynocephalus,\u00a0commonly known as the Tasmanian tiger. The last specimen died in 1936 at the Hobart Zoo (Tasmania)\u00a0where it had been enclosed since 1933. Its death marked the extinction of the whole species.\u00a0The disappearance of the Tasmanian tiger is an appalling event also because we feel somehow directly\u00a0concerned. That\u2019s why the image of the tiger stands out and when looking at it wander around its prison,\u00a0we can say that we are looking at something that once was but now is gone.
\nThe film pictures the possibility of a revolution. The agony of the caged animal is like a soundless cry\u00a0awakening Nature, it\u2019s like a spark igniting a radical metamorphosis of the landscape where Nature ceases\u00a0to be silent and begins her grand transformation resulting in a new world. This world will be immersed in\u00a0a green primeval purity and, highly likely, it will be without Sapiens. A special recognition goes to Les\u00a0Marquises, authors of the amazing soundtrack.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]oncorto is almost half way there and we\u2019re ready to kick off…<\/p>\n","protected":false},"author":2,"featured_media":7076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[81,78],"tags":[82,79,83,89],"yoast_head":"\nMonday, August 21 - The Concorto Daily - All the reviews<\/title>\n<meta name=\"description\" content=\"The Concorto daily is out! 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