{"id":7091,"date":"2018-08-22T16:03:22","date_gmt":"2018-08-22T16:03:22","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7091"},"modified":"2018-08-23T09:40:31","modified_gmt":"2018-08-23T09:40:31","slug":"august-22-daily","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/august-22-daily\/","title":{"rendered":"Concorto daily – August 22"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]W<\/span><\/strong>ednesday, August 22th in the afternoon, Concorto will host The Summer Connection<\/strong>, a space for\u00a0international festivals, producers, directors and cinema professionals to meet and discuss the present and
\nthe future of short films.
\nEvening screenings will begin with Dzenia<\/strong>, winner at Clermont Ferrand Festival, followed by O \u00d3rf\u00e3o<\/strong>\u00a0straight from Festival de Cannes, tells the story of a peculiar orphan. We\u2019ll continue with Jerry<\/strong>, a surreal\u00a0Polish comedy, and with Ugly<\/strong>, one of the most praised avant-garde works in circulation. Evening screenings\u00a0will end with Matria<\/strong>, the story of women united by a family bond and Marguerite<\/strong>, the story of a woman\u00a0who recovers a part of herself which had been buried away all her life.\u00a0Later, don\u2019t miss the screenings of the films from the category Mirrors<\/strong> dedicated to gender issues (find the\u00a0reviews<\/a> here). The night will end with the jolty Deep Night<\/strong>, a category for the strongest stomachs out there\u00a0(click here for reviews<\/a>).\u00a0In the Boschetto, you can\u2019t miss the jamming session of Les Fufies and the Rubbish<\/strong><\/a>!<\/p>\n

Here follows the interview with Henrietta Rauth<\/strong>, co-protagonist of the movie Fucking Drama<\/strong>, Deep Night section.[\/vc_column_text][vc_video link=”https:\/\/youtu.be\/AlbEptaiZlg”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”7100,7104,7096,7102,7106,7092″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Drzenia – Dawid Bodzak
\nas seen by Yorgos Kostianis<\/em><\/span><\/h5>\n

\u201cImagine finding yourself lost and afraid in a dark forest, surrounded by approaching, howling wolves\u2026 what would you do?\u201d
\nThis is the allegorical opening line of Drzenia (Tremors), winner of the Grand Prix at the prestigious Clermont-Ferrand Festival (2018). The film tells the story of Janek, a teenager afflicted by mysterious fits of tremors impacting him and the people around him.
\nPolish director Dawid Bodzak delves into themes of teenage angst, toxic masculinity and male bonding through a narrative style that drifts between realism and the dreamlike including a barnstorming performance by the protagonist that will leave you trembling in your seats.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

O \u00d3rf\u00e3o – Carolina Markowicz
\nas seen by Elena Saltarelli<\/em><\/span><\/h5>\n

About rejection and discrimination. These are the main topics of Carolina Markowitz\u2019s short film, a\u00a0Brazilian director who wanted to tell the real story of Jonathas, a young boy who was rejected by\u00a0his foster family because of his feminine behavior.\u00a0Without any rhetoric, this film succeeds in recounting the suffering provoked by the disgusting\u00a0skittishness wherewith the couple gets rid of a newly adopted boy.\u00a0The acting skills of the young protagonist are extremely touching as he manages to convey the\u00a0idea of a dignity which outdoes cowardice and the evils of the world.
\n\u201cThat was meant to be – forget it\u201d is a mantra that brings him back to the orphanages\u2019 world,\u00a0populated by the many outcasts with whom he\u2019s growing up and moulding himself.\u00a0This short film proves that a family is where you are loved, no matter where you are.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Jerry – Roman Przylipiak
\nas seen by Sofia Brugali<\/em><\/span><\/h5>\n

Jerry is a healer, but he is introduced to the spectator more as a money-grubbing quack then a real\u00a0thaumaturge when he is punched in the face by Bartel, the disappointed and angry son of a customer.\u00a0Nevertheless, as the story develops, we see him miraculously cure an ever-increasing group of sick and\u00a0needy by using only his hands\u2026 Jerry also seems to be the name of the injured dog that the man finds in\u00a0his garden the day before the first prodigious recovery and disappear with the new skills of his owner: is it\u00a0just a coincidence? Which Jerry is the real holder of this very-beneficial power? Which Jerry is the main\u00a0charachter, the one that gives the title to the short film? From Poland a tragicomedy that won\u2019t fail to
\nconfuse you.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Ugly – Nikita Diakur
\nas seen by Carlotta Magistris<\/em><\/span><\/h5>\n

Ugly<\/em>, by the Russian Nikita Diakur, is a sort of allegorical tale whose plot follows the wanders\u00a0of an ugly stray cat that\u2019s looking for affection but is repeatedly rejected by those he meets on\u00a0his path until he finally finds someone to take care of him. The simplicity of the plot is\u00a0mirrored by an animation which creates a surreal, extremized, chaotic and occasionally\u00a0violent universe standing in full contrast with the delicacy of the story. The story is told\u00a0through a paradoxical aesthetics which creates a sense of alienation in the viewer and leads\u00a0him to a full immersion in the computerized aesthetics where the story comes to life.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Matria \u2013 Alvaro Gago
\nas seen by Margherita Fontana<\/em><\/span><\/h5>\n

The short film by Alvaro Gago lands at Concorto after having collected several awards in many festivals\u00a0around the world (among these, the Grand Jury Prize at Sundance 2018). In Matria<\/em> we witness the\u00a0consuming routine of Ramona: married to an off-putting and rough man, the woman divides herself\u00a0between house care and work in the factory. Fooled and insulted by everyone, she finds a fragile peace\u00a0in the love for her daughter and granddaughter. Matria<\/em> (motherland) is a neologism used – among\u00a0others – by Virginia Woolf and, later on, by the feminist movement as an alternative to the \u201cfatherland\u201d:\u00a0it refers to the community of people made possible by women, by their being mothers, sisters,\u00a0daughters, by their acceptance, sacrifice and care. The homonymous short film by Gago describes\u00a0through a harsh narration this dramatic condition and the human force of such a powerful sacrifice.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Marguerite \u2013 Marianne Farley
\nVisto da Carlotta Magistris<\/em><\/span><\/h5>\n

Marguerite<\/em>, a 2017 short movie shot by the Canadian Marianne Farley, is a delicate movie\u00a0about a generational confront made of love and care between an ill old woman and her daily\u00a0nurse, Rachel. With a slow rhythm and expressive close-ups to emphasise the differences and the\u00a0connections between the two women, through the homosexual love story of Rachel the fragile\u00a0main character Marguerite mentally recounts her own love story long forgotten, pulling out an old\u00a0wound that now seems to leave the shadow of a smile poised between nostalgy and a slight
\nbitterness.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]ednesday, August 22th in the afternoon, Concorto will host The Summer Connection,…<\/p>\n","protected":false},"author":2,"featured_media":7105,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"\nWednesday, August 22 - The Concorto Daily - All the reviews<\/title>\n<meta name=\"description\" content=\"The Concorto daily is out! 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