{"id":7176,"date":"2018-08-25T15:30:09","date_gmt":"2018-08-25T15:30:09","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7176"},"modified":"2018-08-25T15:48:02","modified_gmt":"2018-08-25T15:48:02","slug":"daily-august-25","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-25\/","title":{"rendered":"Concorto Daily – August 25"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]E<\/em><\/span><\/strong>h bien<\/em>,\u00a0once again we made it to the last day of Concorto. However, we will try to send sadness away with a\u00a0day full of twists and turns.\u00a0At 6pm at Palazzo Ghizzoni Nasalli, don\u2019t miss the screening of the short films edited during the workshop\u00a0\u201cAudiovisiva<\/strong>\u201d curated by Tom\u00e1s Sheridan which took place this week.
\nAt 9pm, we will go to Spazio Rotative in Piacenza (Via Benedettina, 66) for the closing ceremony during\u00a0which we will screen the movies \u201cFlowers and Bottoms<\/strong>\u201d and \u201cTierra Virgen<\/strong>\u201d by the jurors Christos Massalas\u00a0and Giovanni Aloi respectively (find the reviews below). Next up, the videoclip of \u201cUna donna che conta\u201d by\u00a0Myss Keta<\/strong> edited by the juror Simone Rovellini. Later we will reveal the winners of this edition and we will\u00a0screen their films!\u00a0As is tradition, every member of the editorial staff of Asino Vola awarded the Golden Donkey<\/strong> to the best\u00a0short film according to them. You can find our opinions below!
\nWe will end on a high note with the interview to Heikki Ahola<\/strong>, the great director of \u201cSex at the ski centre<\/em>\u201d\u00a0and to Jonatam Schwenk<\/strong>, director of the animation film \u201cSog<\/em>\u201d.\u00a0Last but not least, special thanks to all of you who read our blog and followed us during this intense edition\u00a0of #Concorto2018<\/strong>! Keep following us during the year for more reviews and reports on festivals all over\u00a0Europe![\/vc_column_text][vc_video link=”https:\/\/youtu.be\/7MtBnnzOcOU”][vc_video link=”https:\/\/youtu.be\/OP2GnRwMg4o”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”7172,7170,7130,6983,7106,6986,6988,7122,7124,7134,7156″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
Flowers and Bottoms – Christos Massalas
\nas seen by Margherita Fontana<\/em><\/span><\/h5>\n

After having been awarded last year by the young jury for his Copa Loca, Christos Massalas comes\u00a0back to Concorto as a Jury member with his \u201cFlowers and Bottoms\u201d (2016). This 6 minute short\u00a0film is a surreal and sensual little gem, literally a blooming of flowers and bottoms. Through a
\nplayful atmosphere, Massalas stages a romantic relationship mediated by the screen: Flowers and\u00a0bottoms is actually a film-in-the-film watched by an anonymous character whose we see only the\u00a0back of his head. Reflecting upon the esthetic nature of human relationships in post-medial age,
\nthe director decomposes the gaze addressed to this unnamed gift thrown into the ether. At the\u00a0border with video art.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Tierra Virgen – Giovanni Aloi
\nas seen by Sofia Brugali<\/em><\/span><\/h5>\n

This brief documentary film transports us in campesinos\u2019 Per\u00f9 in which a peaceful revolution, though not free from violence, is taking place: the agricultural conversion through the association of producers in\u00a0cooperatives. However it is not easy to quit the business of coca, supported by drug trafficking, as we can\u00a0learn from the story of a small family of growers, in which the father Eusebio decides to hide the banned\u00a0crop in sugar cane fields against the will of his wife Angelica. The case of their son is marginal but equally\u00a0important: he dropped out school to help his parents, but he keep peeking at classes through the window\u00a0when he has to go to the village and get the water. In less then fifteen minutes, Giovanni Aloi tells us about\u00a0Peruvian rural society, on the line between tradition, illegality and desire for change.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Sofia Brugali – Golden Donkey and Mention<\/span><\/h5>\n

 <\/p>\n

Because I am fond of stories in which love blossoms and I felt in love with this tale of the end of a\u00a0relationship. Beacuse of its cruel and marvelous honesty. Because there is poetry in the perfect balance of\u00a0words, reality and animation. Because it filled me with emotions and this deep feeling comes back every\u00a0time I think about this short film. For all these very personal reasons, my Golden Donkey goes to Gros\u00a0Chagrin<\/em> (You will be fine) by C\u00e9line Devaux.\u00a0I feel compelled to give a special mention to Heikki Ahola\u2019s twisted brilliance, with his Sex at the Ski Center<\/em>.\u00a0Just a few words: thank you.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Margherita Fontana – Golden Donkey and Mention
\n<\/span><\/h5>\n

I award with my personal Golden Donkey Matria<\/em> by Alvaro Gago for its ability to give a political\u00a0overtone to a personal drama. But, most of all, for having described in a faithful way what it means\u00a0to be a woman.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Yorgos Kostianis – Golden Donkey and Mention<\/span><\/h5>\n

There were many different films that tugged at my heartstrings this year. Negative Space<\/em> hit a bit too\u00a0close to home because of a similar luggage-preparation bond I share with my mother, Gros Chagrin<\/em> hit\u00a0even closer so, due to themes of love and disillusion that we can all, more or less, relate to; while Min\u00a0b\u00f6rda<\/em> urged me to contemplate on my existential angst from a simply hilarious standpoint.\u00a0There was a film, however, that hit were it hurts the most. A film that delved into what we go to the\u00a0movies to forget about. That film was David Krippendorff\u2019s Kali<\/strong>. Hiam Abbass takes the stage,\u00a0reincarnated as a vengeful goddess, delivering a combustive monologue reflecting the sad state of affairs\u00a0and all the different shades of oppression dividing our generation.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Carlotta Magistris \u2013 Golden Donkey and Mention<\/span><\/h5>\n

 <\/p>\n

This year my Golden Donkey goes to Gros Chagrin<\/em>, a fine short movie by Celine Deviaux and\u00a0winner at the last Venice Film Festival. The French director\u2019s delicacy in combining pictures of\u00a0a couple with a stifling intimacy with an animation which seems to go beyond the characters\u2019\u00a0minds showing the sentimental pain derived from the end of a love story. Such features create\u00a0a movie which can speak to the gloomiest part of the heart with a penetrating and universal\u00a0language. Special mention to Hector Malot<\/em>, by the Greek Jacqueline Lentzou, crossing the last\u00a0day of the year of a girl fighting with her family and sentimental drama from a personal and\u00a0intimate point of view.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Elena Saltarelli \u2013 Golden Donkey and Mention<\/span><\/h5>\n

 <\/p>\n

This year my Golden Donkey goes, without second thoughts, to Negative Space<\/em> the French short\u00a0film animated by Max Porter and Ru Kuwahata. This work admirably combines form and content,\u00a0giving us a product with an impeccable and touching rhythm.\u00a0Far from being a mere exercise in style, it analyzes a father-and-son relationship where they talk\u00a0when is needed and they are silent in the right moments.\u00a0Everything is in its place, everything is well-ordered and the chaos that seethes under the surface\u00a0is conveyed through an exaggerated methodicalness.
\nThe special mention goes to Vihta<\/em>, the Belgian comedy directed by Fran\u00e7ois Bierry. This work has\u00a0been in my heart ever since I saw it during the preselection, because it\u2019s the kind of comedy you\u00a0would never expect, a true breath of fresh air. Although it may seem a controversial and an
\noutside-the-box film, it makes a good example of hidden hilarious elegance.\u00a0And that is something rare in the hic et nunc of the cinematographic panorama.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Maddalena Franco (nostra indomita traduttrice) \u2013 Golden Donkey<\/span><\/h5>\n

 <\/p>\n

I have decided to award the Golden Donkey to the short film All These Creatures<\/em> by Charles Williams. I\u00a0chose this short film because of the director\u2019s decision to make a young boy talk about mental illness as he\u00a0witnesses his father\u2019s mental degeneration. Tempest, the protagonist, tells the story in a simple yet\u00a0authentic and touching way: he genuinely blames his father\u2019s suffering on a swarm of loud cicadas invading\u00a0his backyard and innocently hopes that when they fly away, they\u2019ll haul his disease with them.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Virginia Carolfi \u2013 Asinello d’Oro e Menzione<\/span><\/h5>\n

 <\/p>\n

My Golden Donkey goes to Matria<\/em> by Alvaro Gago for having realized a short that depicts, with no rhetoric at all, the key role played by women in our society since the very beginning of human history. A role unnoticed and underrestimated that allowed humanity to survive, grow and be somewhat happy.<\/p>\n

Special Metion to Vihta<\/em> by Fran\u00e7ois Bierry because I happily laughed for the whole time. Bless you, Fran\u00e7ois.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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