{"id":7335,"date":"2018-12-29T22:22:30","date_gmt":"2018-12-29T22:22:30","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7335"},"modified":"2018-12-29T22:31:33","modified_gmt":"2018-12-29T22:31:33","slug":"2018-best-films","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/2018-best-films\/","title":{"rendered":"2018 best films"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]E<\/span><\/strong>t voil\u00e0! For the second year in a row AsinoVola’s newsroom has something to say about 2018 best films. Once again there is no “single winner”, however its is evident a certain fascination for the Far East, a cinematography that ceaselessy gives us a breath of fresh air in terms of cinematographic languages, styles and plots. One thing is certain, the newsroom is alive and kicking and we do not often agree with each other, a fundamental condition that allows us to give you uncut, dadaist and uncompromised critiques.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”7343,7339,7341,7345,7347,7349,7351,7380,7353,7355,7357,7359,7361,7363,7365,7382,7367,7304,7240,7219,7329,7221,7378″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
The 5 best films of 2018 | MARGHERITA FONTANA:<\/span><\/h5>\n
    \n
  1. Roma<\/em>,\u00a0Alfonso Cuar\u00f3n<\/li>\n
  2. A Star is Born<\/em>, Bradley Cooper<\/li>\n
  3. BlacKkKlansman<\/em>, Spike Lee<\/li>\n
  4. Santiago, Italia<\/em>, Nanni Moretti<\/li>\n
  5. Shoplifters<\/em>, Hirokazu Kore-Eda<\/li>\n<\/ol>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n
    The 5 best films of 2018 | YORGOS KOSTIANIS:<\/span><\/h5>\n
      \n
    1. Le Livre D\u2019image,<\/em>\u00a0Jean-Luc Godard<\/li>\n
    2. Burning<\/em>, Lee Chang-Dong<\/li>\n
    3. Long Day’s Journey into Night<\/em>, Bi Gan<\/li>\n
    4. Shoplifters<\/em>, Hirokazu Kore-Eda<\/li>\n
    5. High Life<\/em>, Claire Denis<\/li>\n<\/ol>\n

      Special mention: Eighth Grade<\/em>, Bo Burnham[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

      The 5 best films of 2018 |<\/span> CARLOTTA MAGISTRIS:<\/span><\/h5>\n
        \n
      1. Happy as Lazzaro (Lazzaro Felice)<\/em>, Alice Rohrwacher<\/li>\n
      2. Girl<\/em>, Lukas Dhont<\/li>\n
      3. Vox Lux<\/em>, Brady Corbet<\/li>\n
      4. Dogman<\/em>, Matteo Garrone<\/li>\n
      5. Oikos<\/em> (Pity)<\/em>, Babis Makridis<\/li>\n<\/ol>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n
        The 5 best films of 2018 |\u00a0<\/span>ELENA SALTARELLI:<\/span><\/h5>\n
          \n
        1. Isle of Dogs,\u00a0<\/em>Wes Anderson<\/li>\n
        2. Dogman<\/em>, Matteo Garrone<\/li>\n
        3. Hereditary<\/em>, Ari Aster<\/li>\n
        4. Never Look Away (Werk ohne Autor)<\/em>, F.H. von Donnersmarck<\/li>\n
        5. The Ballad of Buster Scruggs and other stories,<\/em>\u00a0Joel and Ethan Coen<\/li>\n<\/ol>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n
          The 5 best films of 2018 | SIMONE BARDONI:<\/span><\/h5>\n
            \n
          1. Phantom Thread<\/em>, Paul Thomas Anderson<\/li>\n
          2. Burning,\u00a0<\/em>Lee Chan-dong<\/li>\n
          3. The Wild Pear Tree<\/em>, Nuri Bilge Ceylan<\/li>\n
          4. Three Faces,\u00a0<\/em>Jafar Panahi<\/li>\n
          5. Roma<\/em>, Alfonso Cuar\u00f3n<\/li>\n<\/ol>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n
            The 5 best films of 2018 |\u00a0<\/span>VIRGINIA CAROLFI (casual order):<\/span><\/h5>\n
              \n
            1. Shoplifters<\/em>, Hirokazu Kore-Eda<\/li>\n
            2. Happy as Lazzaro (Lazzaro Felice)<\/em>, Alice\u00a0Rohrwacher<\/li>\n
            3. Girl<\/em>, Lukas Dhont<\/li>\n
            4. Le grand bain<\/em>,\u00a0Gilles Lellouche<\/li>\n
            5. The Wild Pear Tree<\/em>, Nuri Bilge Ceylan<\/li>\n<\/ol>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

              [vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]t voil\u00e0! For the second year in a row AsinoVola’s newsroom has…<\/p>\n","protected":false},"author":2,"featured_media":7337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96],"tags":[197],"yoast_head":"\n2018 best films | Concorto Film Festival ranks this year's best movies<\/title>\n<meta name=\"description\" content=\"2018 best films ranked by AsinoVola's newsroom: a fascination for the Far East and some outsiders. 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