{"id":7492,"date":"2019-03-13T15:51:38","date_gmt":"2019-03-13T15:51:38","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7492"},"modified":"2019-03-13T15:51:38","modified_gmt":"2019-03-13T15:51:38","slug":"climax-gaspar-noe","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/climax-gaspar-noe\/","title":{"rendered":"CLIMAX | The Reviews"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]L<\/span><\/strong>ove him or hate him, Gaspar No\u00e8 rarely leaves indifferent. Inevitably, we’ve been allured by his cinematography and we plunged in CLIMAX, his last ordeal. An aesthetic horror such as Guadagnino’s Suspiria<\/em>, it did not escape the keen reviews of our Sofia and Carlotta.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”7493″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n
CLIMAX \u2013 as seen by Sofia Brugali<\/em><\/span><\/h5>\n

Gaspar No\u00e8\u2019s new movie doesn\u2019t deserve a regular review, but an experimental and fragmented comment. Spectators have to be aware of what awaits them. They have to live the performance with the right disposition, which means they crave for dancing and they are willing to give in to music, pleasure and fear. They will face an intense audiovisual orgy, which gradually and ruthlessly becomes a bad trip. The hypnotic and thumping music sensually fuses with the hallucinating photography. This union gives birth to an oxymoron that moves towards the wild and unmerciful bounds of the human psyche. Dance \u2013 a primordial need of redemption and freedom, an instrument of catharsis \u2013 becomes a desperate and carnal action, a cry for help, an attempt to exorcize death in life\u2019s excesses. Hardcore and decadent, Climax<\/em> is an experience that for better or worse won\u2019t leave you cold. And if still you are not persuaded to watch it, just remember to check out the soundtrack![\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

CLIMAX \u2013 visto da Carlotta Magistris<\/em><\/span><\/h5>\n

Darkly crossing the borders between a junk movie and a peculiar musical, Gaspar No\u00e8, one of the most personal and authorial \u201cthings\u201d that happen to live in contemporary cinema, shots a movie which is none of them. Sensational electronic music from well-known names like Daft Punk put side by side with Erik Satie\u2019s \u201cTrois Gymnopedies\u201d and a whole cast made by dancers who, apart from Sofia Boutella, never attempted acting before, make up a lysergic bad trip full of a pop aesthetics from the nineties, the decade where the movie is contextualized. A visceral cinema made by images, targeted on an audience already in love with his maker but also on those who ask cinema a full fruition of aesthetic and sensuality. While a bad drug experience declines into hell, with a surprising ending which emphasizes the banality in itself, No\u00e8 seems to draw the shape of a larger human mosaic, where demons from individual conscience make impossible a stable cohabitation in a society or basic sociality interaction.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]ove him or hate him, Gaspar No\u00e8 rarely…<\/p>\n","protected":false},"author":2,"featured_media":7496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96],"tags":[220,221],"yoast_head":"\nClimax | Gaspar No\u00e8 | Concorto Film Festival Reviews<\/title>\n<meta name=\"description\" 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