{"id":7705,"date":"2019-08-18T11:41:34","date_gmt":"2019-08-18T11:41:34","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7705"},"modified":"2019-08-18T14:34:13","modified_gmt":"2019-08-18T14:34:13","slug":"daily-august-18-2019","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-18-2019\/","title":{"rendered":"Concorto Daily &#8211; August 18"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]<strong><span class=\"nectar-dropcap\" style=\" color: #f1564f;\">A<\/span><\/strong>fter the impressive audience turnout of the first evening at Parco Raggio, the adventure of Concorto continues with a day full of art and cinema.<br \/>\nToday\u2019s not-to-be-missed event is the opening, at 6 p.m. at Palazzo Ghizzoni Nasalli, of the\u00a0exhibition <a href=\"http:\/\/concortofilmfestival.com\/en\/tenero-terribile-exhibition\/\"><strong>TT tender terrible<\/strong><\/a> by Giovanna Lopalco (aka Pelo di Cane), author of this 18 th Concorto\u00a0edition poster. To be seen hand-painted azulejos, portraying botanical and animal subjects, a real<br \/>\njourney through the artist\u2019s trademark and through the shapes that do not always meet what the\u00a0hand wants to draw. The exhibition is free entry and will be open till August 24 th itself. Here <a href=\"http:\/\/asinovolablog.it\/en\/tt-tenero-terribile-2\/\">Pelo di\u00a0Cane\u2019s interview<\/a>.<br \/>\nThe screenings in the Arena of Parco Raggio will tonight open with Shadow Cut, the story of a\u00a0teenage afternoon in New Zealand, and will continue with El Verano del Le\u00f3n El\u00e9ctrico, a touching\u00a0story that takes us into the traditional Chilean culture. The first block of shorts ends with Telefonul,<br \/>\nin which Anca Damian reveals before our eyes some of her intertwined and touching memories.<\/p>\n<p>Je sors acheter des cigarettes wonderful animation enhances the complex theme of paternal\u00a0absence, whereas Sometimes I think about dying takes us to a rarefied America where human\u00a0relationships are more and more complex.\u00a0Ogni cosa rosa is an excellent Italian documentary that shows us the story of Ilva di Taranto and we\u00a0are glad that the two co-directors, Patrizia Emma Scialpi and Fabiana Foschi, will be our guests and\u00a0will be interviewed in the Grove at 11:30 p.m. for the Midnite Talks.\u00a0The short films in competition end with Brotherhood, a family story taking place in rural Tunisia,\u00a0followed by Good Intentions, an animation that turns into a thriller.<br \/>\nAfterward, as already mentioned, the Talks in the Grove and in the Greenhouse, the Absolute Beginners section (here the <a href=\"http:\/\/asinovolablog.it\/en\/absolute-beginners\/\">reviews<\/a>), as well as the Focus Uncanny Valley (here\u00a0the <a href=\"http:\/\/asinovolablog.it\/en\/uncanny-valley\/\">reviews<\/a>) on the relationship between human beings and technology.<br \/>\nSee you tonight!<strong><br \/>\n<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;20&#8243; bottom_padding=&#8221;20&#8243; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;7718,7710,7720,7714,7706,7716,7708,7712&#8243; display_title_caption=&#8221;true&#8221; layout=&#8221;fullwidth&#8221; item_spacing=&#8221;default&#8221; constrain_max_cols=&#8221;true&#8221; gallery_style=&#8221;3&#8243; load_in_animation=&#8221;none&#8221; img_size=&#8221;600&#215;403&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Shadow cut\u00a0 &#8211; Lucy Suess<br \/>\n<em>As seen by Elena Saltarelli<\/em><\/span><\/h5>\n<p>This short film, by Lucy Suess, succeeds in his ambitious aim of condensing several themes within a product that lasts less than four minutes.<\/p>\n<p>If you live in a small rural town in New Zealand, where everything has already been chosen, trying to understand who you are, which is your place in the world and what you can do to change your own destiny can be frustrating. Trying to see beyond seems to be the purpose of the main character, a young man who is in struggle with the suffocating and monotonous rhythm of a life that does not suit him and his affection for one of his schoolmates.<\/p>\n<p>During a day spent with her, he can make a choice, which is liberating, but that also brings some consequences. This way, an emancipation and growth process, that differentiates him deeply from his peers, begins.<\/p>\n<p>The choice of the director to let inexperienced people acting is interesting because it is extremely neo-realistic and leads to a sincere narration, where different themes, probably hearth-felt by the actors\/non-actors themselves, are expressed with immediate freshness and without rhetoric.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">El Verano del Le\u00f3n El\u00e9ctrico &#8211; Diego C\u00e9spedes<br \/>\n<em>As seen by Margherita Fontana<\/em><\/span><\/h5>\n<p>El Verano del Le\u00f3n El\u00e9ctrico, by Diego C\u00e9spedes, is an award-winning short film\u00a0(Cin\u00e9fondation selection winner at Cannes in 2018), that conveys us the traditional Chilean\u00a0culture, together with its dramas and distortions. The young Alonso accompanies his sister\u00a0to meet the prophet, the so-called Lion, who is supposed to be able to electrocute people\u00a0only with the touch of his hand. With an accessory mother, the young girl is destined to\u00a0become his seventh wife. This drama of a stolen childhood happens during a summer, which\u00a0is anything but lively, surrounded by the livid tones of desertion and despair.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Telefonul &#8211; Anca Damian<br \/>\n<em>As seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n<p>Anca Damian relives some of her memories, floating in surreal, evoked, imagined worlds which\u00a0cross the threshold of the tangible. It is the first animated short film by the Romanian director,\u00a0whose presence is now a must at the most important international festivals: since the beginning,<br \/>\nAnca relies on this genre to give life to new realities, and in this case, it embodies the need to\u00a0rebuild a past that cannot return.<br \/>\nAn old lady, an anthropomorphic mother sewn with memories, plunges into her bathtub to find a\u00a0fourth dimension below the surface of the water, where she can hover and find herself again. An\u00a0intimate and feminine solo dance, together with a harmonious couple dance as well as the<br \/>\ncelebration of a love that will never return.\u00a0The call reflects on eternity, on how time can assume new shapes thanks to fantasy and love.\u00a0Present, past, and future merge together in a single moment, in a oneiric and timeless journey.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Je sors acheter des cigarettes &#8211; I&#8217;m going out for cigarettes<br \/>\n<em>As seen by Elena Saltarelli<\/em><\/span><\/h5>\n<p>This animated short film, whose director is the French Osman Cerfon, sees as main character a\u00a0young boy living with his mother and his sister, together with many hidden men. The boy has an\u00a0ambiguous relationship with them, a relationship built on teasing as well as helping. These men<br \/>\nhave many faces and many personalities, and they are not going to leave until he gives a face on\u00a0that hulking absence which is filling the apartment.<br \/>\nThis short film amazingly succeeds in making bittersweet and assimilable a complex and extremely heavy theme such as that of paternal absence. Each character, in his own way, tries to give this a\u00a0meaning and to live together with this emotional void, replacing it with something different, with\u00a0waiting, with vain hope. Rich in allusions and suggestions, such as the recurrent references to Ren\u00e9\u00a0Magritte, a great painter of paranoia and dormant suffering, this work is confirmed as one of the\u00a0most interesting and multifaceted short film in selection.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Sometimes I think about dying \u2013 Stefanie Abel Horowitz<br \/>\n<em>As seen by Carlotta Magistris<\/em><\/span><\/h5>\n<p>With its cold colours, Sometimes I feel about dying represents an effective postcard of depression,\u00a0the silent story of a lonely young lady and of an emptiness difficult to express and to overcome.\u00a0Complicated in itself, insurmountable in front of those who try to overcome this ice wall, or that at<br \/>\nleast try to melt it but disappointing the expectations, conversations and car journeys along with a\u00a0blanket of fog, deadly thoughts that never leave and no mask to fake an apparent compliance. But\u00a0then, whether by choice or by necessity, some ice melts and finally the starting \u2013 or the arrival \u2013<br \/>\npoint appears.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Ogni cosa rosa &#8211; Patrizia Emma Scialpi<br \/>\n<em>As seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n<p>When we think about Taranto, we only remember its dark sides: high red and white striped towers that cut the horizon and clouds of black smoke that rise in the sky. News, protests, funerals. But Taranto is more: it is the Focarino\u2019s Pine Forest, an uncontaminated area; it it the gazes of the fishermen, Alfredo\u2019s mussels. It is the biggest Mediterranean colony of seahorses that, in spite of everything, was able to adapt, finding its own dimension. Taranto is the speeding of bicycles, a ball in a square. The city does not turn pink because of the sunset or because of a pink flamingo in the sky, but because of industrial dust that every year covers the city and its houses. This reminds us that death is everywhere, on every single wall and it makes fun of an unaware generation that, still full of life, runs through the streets. Without them Taranto would not resist.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Brotherhood &#8211; Meryam Joobeur<br \/>\n<em>As seen by Margherita Fontana<\/em><\/span><\/h5>\n<p>What does brotherhood mean? Which is our family? Where do we belong? Which is our religion?\u00a0These are crucial questions that Brotherhood by Meryam Joobeur asks us. As his elder son Malik\u00a0comes back home in Tunisia, after the war in Syria, Mohamed\u2019s heart and mind are riddled with<br \/>\ndoubts. Brotherhood shows us the contradictions that destroy religious and family bonds during\u00a0this contemporary war with attention, avoiding sentimentalisms.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Good Intentions &#8211; Anna Mantzaris<br \/>\n<em>As seen by Yorgos Kostianis<\/em><\/span><\/h5>\n<p>A young woman drives home in the middle of the night. At a crossroads she crashes into another car. Still\u00a0hazy from the collision she glances at the other injured driver and takes the mindless decision to drive\u00a0away. As the days pass, her guilt keeps on haunting her in a quite spooky and paranormal fashion.\u00a0Anna Mantzaris\u2019 name has been rising through the ranks and with good reason. Having worked as an\u00a0animator for Wes Anderson\u2019s Isle of Dogs she consolidated her own trademark aesthetic mixed with some\u00a0dark humour and narratives based on the melancholic undertones of everyday people, that more often than\u00a0not hit quite close to home.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]fter the impressive audience turnout of the first&#8230;<\/p>\n","protected":false},"author":2,"featured_media":7721,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Concorto daily, August 18 | Concorto Film Festival | Reviews<\/title>\n<meta name=\"description\" content=\"The Concorto daily is out! 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