{"id":7729,"date":"2019-08-19T12:11:09","date_gmt":"2019-08-19T12:11:09","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7729"},"modified":"2019-08-19T15:34:40","modified_gmt":"2019-08-19T15:34:40","slug":"daily-august-19-2019","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-19-2019\/","title":{"rendered":"Concorto Daily – August 19"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]T<\/span><\/strong>his Concorto week kicks off with a bang: today start the free screenings in the Palazzo Ghizzoni\u00a0greenhouse and the opening could not offer anything better than the Focus Russia<\/strong> (here the short\u00a0film reviews<\/a>).
\nThe evening in Parco Raggio will begin with Take me please, a touching Hungarian animation, and\u00a0will go on with I signed the petition, whose director is the Palestinian Mahdi Fleifel, followed by La\u00a0B\u00eate, an atavistic French fiction.
\nTina takes us to Croatia, while Selfies \u2013 as easily understandable \u2013 provides an animated reflection\u00a0on the present-day habit of taking selfies. Todo se calma, the first work by Argentine director\u00a0Virginia Scaro, is a story that encourages us to cross our borders, willingly or not.\u00a0The familiar story of Those Bad Things and the very relevant animation of Tracing Addai will\u00a0conclude the evening.
\nThe Midnite Talk in the Grove at 11:30 p.m will feature Estelle Gattlen and Sarah Rothenberger, the\u00a0directors of Braises, short film selected for the Focus Absolute Beginners. At the Teatro Serra the\u00a0experimental screening Ubik<\/strong><\/a> will be opening, followed by the Focus Uncanny Valley<\/strong><\/a>.
\nDon\u2019t miss it!
\n<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”7742,7734,7736,7740,7738,7730,7732,7744″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n
Take me please\u00a0 – Oliver Hegyi
\nAs seen by Carlotta Magistris<\/em><\/span><\/h5>\n

A sometimes dystopian animation that deals with loneliness after the end of a love story, Take me please explores and represents with effective colourful and psychedelic metaphors the\u00a0inability of a man to re-connect with his own emotions within reality, whose spaces continue\u00a0to re-emerge day by day. From the typical encounter in a supermarket with her and her new\u00a0boyfriend, to the efforts of a new emotional involvement, to the sensation of death and re-birth, the mind travels on fast but self-destructive tracks, searching for relief, or at least for an\u00a0apparent well-being which no longer seem to be able to suit the inner self or to reach an at\u00a0least apparent happy ending.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

I signed the petition – Mahdi Fleifel
\nAs seen by Yorgos Kostianis<\/em><\/span><\/h5>\n

In the small hours of the morning, a Palestinian man, wracked with worry calls his still sleepy friend on\u00a0the phone. Unexpectedly, the reason for his distress is a Radiohead concert.\u00a0He was one of those who signed his name in the petition to boycott the band from playing in Israel.\u00a0The camera roams shakily around his sunny room in Berlin while he expresses how consumed with self-doubt and panic he is about ending up in some\u00a0 lacklist or being blocked from returning to his country.\u00a0During the course of their conversation we witness a first-hand deconstruction of what it feels like to be\u00a0Palestinian in modern political landscape and the bitter thought process behind his choice.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

La B\u00eate – Filippo Meneghetti
\nAs seen by Elena Saltarelli<\/em><\/span><\/h5>\n

Ancient and esoteric atmospheres: this is the short video by Filippo Menehetti. Eighteen minutes of\u00a0stasis and suspense that can be entwined at every bead of a rosary, at every frightened gaze, and at\u00a0every leaf raised by quick and tense steps. A piece of yesteryears, with its extreme stage accuracy,\u00a0starting from the costumes and faces, to the spoken language, Breton, that is perfectly aligned with\u00a0the imaginary evoked in each scene.
\nThe grandson of an old shepherd falls into a dip, the hole of the Devil, while he is following a goat\u00a0in the deep of a forest. In a village where time is marked only by the tolling of the bell, this has an\u00a0important and indisputable meaning: the child was taken by the Devil. Only the old shepherd
\ndecides to do something, moved by the love for the little boy, that is bigger than the terror for the\u00a0incontestable and transforming Satan. A short film that moves with the rhythms of a nature, that is\u00a0not friendly and elusive, in a heavy atmosphere full of humidity and fear. A directing choice that\u00a0gives a precise meaning to every single action and movement, as it should be in every short film, in\u00a0which time is part of the film and narrative choice itself.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Tina – Dubravka Turic
\nAs seen by Elena Saltarelli<\/em><\/span><\/h5>\n

Tina is at home alone: a vinyl is playing a romantic Croatian song that fills her room.\u00a0As in Belladonna (2015), the female universe is the main subject of the third short film by Dubravka Turi\u0107. In\u00a0a voyeuristic and prying way, the camera enters Tina\u2019s flat, being afraid of breaking an innocent and\u00a0religious silence. While outside people are waiting for the beginning of the new year, in Tina\u2019s flat,\u00a0everything is still linked to the past, to a happiness that faded away. No off-screen voices, no dialogues, but\u00a0an immediate identification: perhaps, the only way to discover the female psyche is to discern it from afar.\u00a0Pleasant desolation, necessary discomfort and the intimacy that every woman needs to find herself, create
\na heavy atmosphere.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Selfies \u2013 Claudius Gentinetta
\nAs seen by Yorgos Kostianis<\/em><\/span><\/h5>\n

Like it or not selfies have become an indivisible part and a cross-cultural aspect of our everyday\u00a0lives.\u00a0In 3 frenetic minutes Claudius Gentinetta encapsulates this media frenzy through a kaleidoscopic\u00a0display of artistically reworked digital self-portraits ranging from the mundane to the silly and,\u00a0inevitably, the disturbing.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Todo se calma – Virginia Scaro
\nVisto da Margherita Fontana<\/em><\/span><\/h5>\n

A short film with a minimalist photography, but a physical acting performance. <\/span>Todo se calma <\/span><\/i>shows us \u201cthe fight against natural elements\u201d of a woman, who entrenches herself at home. Getting ready to go out, or even just opening the door to a delivery man is somehow impossible for her, there are too many blocks to overcome. A surreal portrait of a realistic feeling, that transforms the domestic area in an insidious minefield. <\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Quelle cose brutte- Loris Giuseppe Nese
\nAs seen by Margherita Fontana<\/em><\/span><\/h5>\n

We cannot choose our parents, or our birthplace. Sometimes, as our mother, we cannot say anything, even if we would like to spend more time with a dad, who is hiding an extramarital affair with a man. These are \u201cthose bad things\u201d, which are cursory and violent words said by the mother of the main character, a young girl, to describe her dad\u2019s life. Her voice covers the whole short film, inviting us not to identify it as the voice of the author: an invite to a journey through a small real universe, made by memory and fiction particles.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Tracing Addai – Esther Niemeier
\nAs seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n

Why should a young guy voluntarily go to Syria to fight against the Islamic State? This is the desperate and\u00a0merciless question that Addai\u2019s mother asks herself. In his early twenties, Addai decides to leave his\u00a0country, Germany, to become a foreign fighter and fight for a distant cause of an opposite culture. Addai\u00a0tries to find his own place in a society that does not belong to him, carrying out an ideal that is distant from\u00a0his western roots.
\nEsther Niemeier uses a hybrid style where the depositions are mixed in a chameleonic animation. The lack\u00a0of filmed material is thus cleverly filled with a technique that is unusual for this kind of documentary, but\u00a0that works: the so-called rotoscoping. This way, every image becomes incredibly concrete, raw, yet\u00a0fictitious.\u00a0Niemeier and Addai\u2019s mother, in perfect harmony, narrate in first person a complex phenomenon, which is\u00a0still considered a taboo, but that involves our society. An intimate story told with extreme clarity that takes\u00a0on an universal meaning, describing the drama of a lost generation, who desires to be called a hero.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]his Concorto week kicks off with a bang:…<\/p>\n","protected":false},"author":2,"featured_media":7737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"\nConcorto daily, August 19 | Concorto Film Festival | Reviews<\/title>\n<meta name=\"description\" content=\"The Concorto daily is out! 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