{"id":7782,"date":"2019-08-21T13:34:02","date_gmt":"2019-08-21T13:34:02","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7782"},"modified":"2019-08-21T13:34:02","modified_gmt":"2019-08-21T13:34:02","slug":"daily-august-21-2019","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-21-2019\/","title":{"rendered":"Concorto Daily – August 21"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]W<\/span><\/strong>hile our guests enjoy themselves in a legendary trip to the Trebbia, Concorto opens on this\u00a0Wednesday at 6 p.m. in Palazzo Ghizzoni Nasalli with the second part of the Focus Absolute\u00a0Beginners (here the reviews<\/a>).
\nTo kick the evening at the Park off, the fascinating Chilean fiction H\u00e9ctor, the documentary about\u00a0kung-fu Practice and the captivating Greek fiction Leoforos Patision. The touching animation\u00a0Alba\u2019s Memories takes then the lead of the second block of shorts, followed by Catching Fire and
\nthe \u201cyoung rage\u201d it talks about. The evening ends with the delicate Spanish fiction Suc de Sindria\u00a0and with Olla, the long-awaited short film by Ariane Labed.
\nAt 11:30 p.m., the Russian director Nikita Diakur will talk about his animated short film Fest in\u00a0occasion of the Midnite Talks. Starting from the same hour, the Teatro Serra will host the first part of the Focus Supernature<\/a>, which is dedicated to the human-nature relationship (here the reviews<\/a>),\u00a0and the second part of Ubik<\/a>.<\/p>\n

See you tonight!
\n
\n<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”7783,7793,7791,7787,7795,7785,7789″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

H\u00e9ctor – Victoria Giesen Carvajal
\nAs seen by Vanessa Mangiavaca<\/em><\/span><\/h5>\n

Nature plays a key role in the short film directed by Victoria Giesen Carvajal: it imposes itself\u00a0solemnly, wildly, dramatically, it seems to crush the stories of the characters and its protagonist,\u00a0Turco. The feelings of teenagers move alongside with these of his land: each of them is looking for
\nanswers, for his identity and sexuality. The same deafening sound of nature replaces essential words\u00a0and dialogues. At the same time, a legend makes its way through the characters, namely that of the\u00a0devil, a representation of the unknown and the indefinite, like the face of Hector himself. Deep\u00a0cliffs, a hypnotic and magmatic sea, made of substance and seaweeds that seem to emerge from the\u00a0depths, alternate with the impenetrable looks of the characters in a dark poem, going beyond the\u00a0typical stereotypes on adolescence.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Practice – Iyabo Kwayana
\nAs seen by Margherita Fontana<\/em><\/span><\/h5>\n

Shot in a Shaolin temple in Henan, China, Practice is a journey through the emotions of some young\u00a0students of a Kung Fu school. By skilfully combining close-ups and aerial views, we can perceive\u00a0how much concentration and tension the students need to succeed in performing the most complex\u00a0choreographies. No soundtrack but the gong ringing or the buzz of the students is to be heard, and\u00a0so the short itself becomes a sort of meditation exercise, from every single one to the group on the\u00a0whole.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Leoforos Patision – Thanasis Neofotistos
\nAs seen by Yorgos Kostianis<\/em><\/span><\/h5>\n

Throughout the course of a woman\u2019s life, there are many roles to be played.
\nIn Patision avenue, however, several of these roles seem to be clashing violently with one another.\u00a0Thanasis Neofotistos manages to pull off the quite demanding feat of shooting an immersive long-take shot in the dead center of Athens, following a single mother on her way to look for an acting\u00a0job.\u00a0His camera follows her around as she shifts from optimism to despair, in a downward spiral of her\u00a0different contrasting identities, rapidly switching from mother to actress, from sister to ex-wife, to\u00a0woman. Right at the beginning the director candidly dedicates his film to his mother, alluding to his\u00a0profound empathy and understanding of the protagonist\u2019s woes.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Memorie di Alba – Andrea Martignoni
\nAs seen by Elena Saltarelli<\/em><\/span><\/h5>\n

Imagine a powerful beacon lightening your deepest, darkest memories.
\nOnly such a similitude, one that involves light, an as disruptive as gentle light, comes to my mind\u00a0when I think about Alba\u2019s Memories.\u00a0Short animated short film directed by Andrea Martignoni and Maria Steinmetz, Alba\u2019s Memories\u00a0tells about a memory. Alba explains to us how she fell in love with Pierino, one of his brothers\u2019\u00a0friends. Her story is merged with animation and vintage-like filming, turning into a metaphor that\u00a0mirrors the process of redefining a reality that has passed and now exists only in the mind of those\u00a0who are telling it. But by explaining these memories, by telling them to someone else, a completely\u00a0new memory is created, namely that of the viewer, who relives in his own way this post-war Italy\u00a0atmosphere.\u00a0And this is the real potential of the short film: sharing a memory allows each of us to feel, in a\u00a0completely individual way, Alba\u2019s love.\u00a0A love that, in my view, is closely tied to the cultural context in which this episode took place, that\u00a0is to say, the fifties, back when Italy needed to redeem, to relive, to fall in love again.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Prendre Feu \u2013\u00a0Micha\u00ebl Soyez
\nAs seen by Sofia Brugali<\/em><\/span><\/h5>\n

The dreamy short movie by Micha\u00ebl Soyez brings the spectator back to his childhood, drafting its borders in the foggy French countryside. Nature silently surrounds the characters, stucked in a haunted dimension. The plot is unneat just like memories: it is a tale of fear and enchantment, of innocent evil. The story, more sensation then action based, stands still. It is just whispered. In the misty village, two boys attempt to help little Lou, whose discomfort ends in pyromania. A young girl is playing the piano. Only two are the adults: an old woman and a homeless. The latter is so different and unfamiliar to the kids, that they are both attracted and repulsed by him. The adult world always seems so meaningless and unreachable.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Suc de Sindria – Irene Moray
\nAs seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n

The one of the female orgasm is a still overshadowed theme and many are the women who live their\u00a0sexuality as a curse: female pleasure is still a taboo, as if just one aspect of pleasure were accepted, namely\u00a0male pleasure. We know how a trans, or a homosexual person live their intimacy (with such themes had\u00a0the director previously dealt in Bad Lesbian), or how it is perceived in distant cultures and religions. But\u00a0how can you be at peace with your body after having being raped? Beyond gender differences, Irene Moray\u00a0approaches in a new way to such a sensitive issue, or rather, she chooses to look at it from two different\u00a0perspectives: not only Barbara\u2019s one, the main character, but also Pol\u2019s one, her boyfriend. It is not just\u00a0about getting phisically naked, it is exposing your true self, confessing your real emotions to the other.\u00a0Between laughing and desperate crying, Watermelon Juices shows how a strong and balanced love can\u00a0heal every broken soul.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Olla – Ariane Labed
\nAs seen by Carlotta Magistris<\/em><\/span><\/h5>\n

After her acting career, Ariane Labed debuts with Olla, a warm-coloured dystopian short film\u00a0which depicts the life of a woman in an alienated country, exploring the disquieting microcosmos of\u00a0a family to which belong a man and her own old mother, making Olla a caregiver, lover, and
\nhousewife. A suffocating situation, a passivity to which she appears to be condemned and whose\u00a0only way to escape seems sexuality. In contrast with the dark and depressive sex scenes within the\u00a0bedroom, masturbation scenes during lunch and spontaneous prostitution acquire a powerful
\nmeaning of emancipation: that is what encourages Olla to leave the home in which she previously\u00a0entered and to fade away in a lonely road.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]hile our guests enjoy themselves in a legendary…<\/p>\n","protected":false},"author":2,"featured_media":7792,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"\nConcorto daily, August 20 | Concorto Film Festival | Reviews<\/title>\n<meta name=\"description\" content=\"The Concorto daily is out! Read here all the reviews and interviews of today's shorts that will be screened during the day and the night.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asinovolablog.it\/en\/daily-august-21-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marted\u00ec 20 agosto - Il Giornaliero di Concorto 2019 - Recensioni\" \/>\n<meta property=\"og:description\" content=\"The Concorto daily is out! 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