{"id":7828,"date":"2019-08-23T13:29:18","date_gmt":"2019-08-23T13:29:18","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7828"},"modified":"2019-08-23T16:48:17","modified_gmt":"2019-08-23T16:48:17","slug":"daily-august-23-2019-2","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-23-2019-2\/","title":{"rendered":"Concorto Daily – August 23"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]W<\/span><\/strong>ith great saudade, the last day of #Concorto2019 screenings has come. We will fight against this spleen with several short films and a concert that you can\u2019t miss.<\/p>\n

At Palazzo Ghizzoni at 6pm there will be a meeting called \u201cPoeti in Emilia\u201d with the documentary \u201cMat Scuri – L\u2019ultimo Diogene\u201d and the short film \u201cPausa\u201d by Alberto Esse.<\/p>\n

At 9pm at Parco Raggio, the evening will start with the moving Georgian short film \u201cEraser\u201d, followed by the long-awaited animation Bavure by the famous director Donato Sansone; the first block will be closed by the equally awaited \u201cWhite Echo\u201d by Chlo\u00eb Sevigny. The fiction Prisoner of Society, focused on a transgender story, opens the second block, followed by \u201cThe Boogeywoman\u201d, which brings us to a horror and adolescent America , and \u201cHow it feels to be hungover\u201d, a Swedish weird story. The animation\/trip Acid Rain officially closes the festival screenings.<\/p>\n

Afterwards, one of the cinema\u2019s milestones, namely \u201cLa Jet\u00e9e\u201d by Chris Marker (1966) with the music of the Cinestasia group!
\nDo not miss the Focus Russia (here the reviews) and the Deep Night section (here the reviews<\/a>).<\/p>\n

Do not forget that in case of rain, you will find us at the OMI cinema in Pontenure. Please follow the weather forecast updates on our FB, Instragam and Twitter\u2019s pages.<\/p>\n

\u00a0<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”7829,7837,7831,7833,7839,7841,7835″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Eraser -Davit Pirtskhalava
\nAs seen by Vanessa Mangiavaca<\/em><\/span><\/h5>\n

Every action always involves a reaction. Chance or causality, which one rules our lives? Eraser is based on a\u00a0complex cause and effect system. A man steals some wood from a fence to warm his family. This will be the\u00a0tragic force of the action, the spark that will lead to the destruction of a family and the personal\u00a0condemnation of a man, devastated by guilt. The Georgian director Davit Pirtskhalava invites us to think\u00a0about what is right and what wrong, how can an action have irreversible effects on other individuals. The\u00a0camera remains impartial, it observes but it does not want to be the judge. Authentic questions by children\u00a0remain unsolved: no adult or God will be able to answer them.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Bavure – Donato Sansone
\nAs seen by Yorgos Kostianis<\/em><\/span><\/h5>\n

A humble paintbrush assumes unprecedented powers in this bravura display of eye-popping, mind-bending, and body-morphing ingenuity by the maverick Italian animator Donato Sansone.\u00a0His film portrays the evolution of a human being from his creation to his awareness of the mysteries of the universe. It is a metaphor of the creation of the world and a parable of the artistic process.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

White Echo –\u00a0Chlo\u00eb Sevigny
\nAs seen by Carlotta Magistris<\/em><\/span><\/h5>\n

This is the third short film written and directed by Chloe Sevigny, a well known name of the film industry, presented at the last Cannes Film Festival. White Echo is an all-female horror film about the relationship between life and death and about rituality in order to evoque it. Warm interiors and dark exteriors, suffering, fear and then terror, all painted in the close-ups dedicated to the main character in an ascending emotional climax with an ending that winks at the genre from which it comes.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Prisoner of Society – Rati Tsiteladze
\nAs seen by Sofia Brugali<\/em><\/span><\/h5>\n

Adelina is a transgender woman who has been confined to her house for over a decade, because it was the only way to protect herself from the prejudices of the Georgian society. Rati Tsiteladze\u2019s documentary is a safe space in which she and her family can confess, it is a mirror for their minds. The limits of parents\u2019 love, unable to understand their kid, are evident (Adelina\u2019s dad asking himself if the whole situation is a joke on him is heartbreaking), but what strikes spectators\u2019 feelings the most is Adelina\u2019s sorrow. She is not only a prisoner of a body to which she does not belong, but also a prisoner of the whole society, as we can understand from the title. The intimate atmosphere, in which Adelina can freely express her true feminine self, is combined with images of a narrow-minded and violent community. Freedom is exchanged for life, but does life exist without freedom?[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

The Boogeywoman \u2013 \u00a0Erica Scoggins
\nAs seen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n

When I first got my period, I was terrified of looking into a boy\u2019s eyes and being labelled as an\u00a0impure, dirty human being. That of Erica Scoggins is a provocative dark story about adolescence:\u00a0Sam\u2019s first period merges in fact with a local legend, that of the Boogeywoman. The woman\u2019s
\ndevelopment is surrounded by an aura of myths, nourished over the centuries, which always defined\u00a0this phenomenon \u201cdemonic\u201d. The \u201cBoogeyman\u201d we were always told about changes now sex,\u00a0becoming a sort of XXI century Lilith, who came just to have her revenge. Every woman has her\u00a0Boogeywoman, a dark side which is both damnation and salvation. This short film is a homage to\u00a0the power of female seduction, as well as the awareness that is our only the weapon to bend the\u00a0patriarchy.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

How it feels to be hungover – Viktor Hertz
\nAs seen by Margherita Fontana<\/em><\/span><\/h5>\n

If hangover was a clinical condition treated in specific heath centres, what would happen? Viktor Hertz exlains it in How it feels to be hangover, one of the funniest comedies at the Concorto 2019. In the end, intoxication or dehydration are not the worst evil to be remedied, but the guilt. And for that there is only one cure.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Acid Rain – Tomasz Popakul
\nAs seen by Elena Saltarelli<\/em><\/span><\/h5>\n

Acid Rain, animated short film by Polish director Tomek Popakul, describes how difficult it is to\u00a0grow up and at the same time to fall in love with a person who is not the one for you.\u00a0In this schizophrenic, enriched with ascending and lysergic tones, narrative we see the main\u00a0character asking a stranger to go with her, embarking on a journey that will bring her close to drugs,\u00a0degradation and violence.
\nIt is easy, even too easy, not to know what you want during that delicate transition from\u00a0adolescence to adulthood, and the consequence is ending up trapped in a vortex that we caused on\u00a0our own, but that we do not know how to end before things get bad, very bad.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]ith great saudade, the last day of #Concorto2019…<\/p>\n","protected":false},"author":2,"featured_media":7842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"\nConcorto daily, August 23 | Concorto Film Festival | Reviews<\/title>\n<meta name=\"description\" content=\"The Concorto daily is out! 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