{"id":7944,"date":"2020-03-24T10:03:21","date_gmt":"2020-03-24T10:03:21","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=7944"},"modified":"2020-03-24T10:04:13","modified_gmt":"2020-03-24T10:04:13","slug":"quarantine-shorts-3","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/quarantine-shorts-3\/","title":{"rendered":"Quarantine shorts | Part 3"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]T<\/span><\/strong>hird date with the online free-to-watch shorts taken fom Concorto Film Festival’s last editions. This one is dedidcated to those who are freaking out and feel trapped, to those who are perfectly happy and cozy at home, to those who are suffering ad to those who, with resilience, are not giving up. Cinema will save us.<\/p>\n

 <\/p>\n

iamo al terzo appuntamento con i Corti in Quarantena, i migliori cortometraggi in chiaro online presi dalle pi\u00f9 recenti edizioni di Concorto Film Festival. Dedicato a chi sta strippando, a chi invece in casa al calduccio ci sta stroppo bene, a chi sta soffrendo e a chi, resiliente, non si arrende. Buona visione![\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”7092,7004,7706,7106,7952,6513,7947,7945″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Marguerite – Marianne Farley
\nSeen by Carlotta Magistris<\/em><\/span><\/h5>\n

Marguerite<\/em>, a 2017 short movie shot by the Canadian Marianne Farley, is a delicate movie about a generational confront made of love and care between an ill old woman and her daily nurse, Rachel. With a slow rhythm and expressive close-ups to emphasise the differences and the connections between the two women, through the homosexual love story of Rachel the fragile main character Marguerite mentally recounts her own love story long forgotten, pulling out an old wound that now seems to leave the shadow of a smile poised between nostalgy and a slight\u00a0bitterness.[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/341649588″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Babies – Yuval Shapira
\nSeen by Margherita Fontana<\/em><\/span><\/h5>\n

A mother is woken by her baby\u2019s cries, but she has nothing to feed him. The woman, as she stands, barefoot and still wearing her nightgown, leaves him alone to go out. The gesture might look like the consequence of a desperate decision but it looks more like the inevitable result of an uncontrollable chain of events. It\u2019s an invisible force, an ineludible force which drags her away from her home towards a series of surreal nocturnal encounters. The human and architectural landscape depicted in the short film features geometrical spaces populated by ghosts, sick people, refugees and soldiers. The great nocturnal picture by Ilya Marcus brings the audience in front of this strange array of people out of their context.[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/398873909″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Sometimes, I think about dying –\u00a0Stefanie Abel Horowitz
\nSeen by Carlotta Magistris<\/em><\/span><\/h5>\n

With its cold colours, Sometimes, I think about dying<\/em> represents an effective postcard of depression, the silent story of a lonely young lady and of an emptiness difficult to express and to overcome. Complicated in itself, insurmountable in front of those who try to overcome this ice wall, or that at\u00a0least try to melt it but disappointing the expectations, conversations and car journeys along with a blanket of fog, deadly thoughts that never leave and no mask to fake an apparent compliance. But then, whether by choice or by necessity, some ice melts and finally the starting \u2013 or the arrival \u2013point appears.[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/366086858″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Matria – \u00c1lvaro Gago
\nSeen by Margherita Fontana<\/em><\/span><\/h5>\n

The short film by Alvaro Gago lands at Concorto after having collected several awards in many festivals around the world (among these, the Grand Jury Prize at Sundance 2018). In Matria we witness the consuming routine of Ramona: married to an off-putting and rough man, the woman divides herself between house care and work in the factory. Fooled and insulted by everyone, she finds a fragile peace in the love for her daughter and granddaughter. Matria (motherland) is a neologism used \u2013 among others \u2013 by Virginia Woolf and, later on, by the feminist movement as an alternative to the \u201cfatherland\u201d: it refers to the community of people made possible by women, by their being mothers, sisters, daughters, by their acceptance, sacrifice and care. The homonymous short film by Gago describes through a harsh narration this dramatic condition and the human force of such a powerful sacrifice.[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/382028616″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Hotaru \u2013\u00a0 William Laboury
\nSeen by Yorgos Kostianis<\/em><\/span><\/h5>\n

Martha has a gift. Her brain is susceptible to hypermnesia, namely an abnormal increase in the mnemonic capacity of recalling memories. Thanks to this ineffable gift, she is chosen for an ambitious experiment in outer space. For the purposes of said experiment, she is put in an eternal, medically induced coma. Martha travels forevermore in the lucid dreams of her infinite memory. The faded image of a boy, however, remains indelible in her mind.
\nInspired by Chris Marker’s radical cinematic style and Alain Resnais poetic essays on the vagaries of memory, Laboury edited vast amounts of found footage into a spellbinding virtual journey of mesmerising beauty and eerie allure that completely captivates the audience.[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/260920165″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

United Interest – Tim Weinmann
\nSeen by Silvia Alberti<\/em><\/span><\/h5>\n

A black and white XIX century city is the background of a sad parade that puts on screen the many obscure events of XX century America. Uncle Sam my arse: black Friday, second world war, economic boom, ku klux klan, hope-speculations, real estate crisis, the third industrial revolution. Tim Weinmann: the most irritating thing is that you\u2019re absolutely right.[\/vc_column_text][vc_video link=”https:\/\/youtu.be\/sChWu3W6_yc” el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Roadt<\/span>rip – Xaver Xylophon
\nSeen by Sofia Brugali<\/em><\/span><\/h5>\n

– So? What Are you waiting for?<\/em>
\n– For something symphonic to happen\u2026<\/em>
\n– You can wait forever then\u2026 Normally you have to take matters into your own hands!<\/em><\/p>\n

Mama Berlin, is a placid and charming wizard who bewitches her offspring with her spell: a perpetual and artificial murmur. Julius is one of her unuware victims, stucked in the stillness of the concrete. But his mind is awake, constantly dragged by a strong stream of thoughts that deprives him of sleep.
\nHow to defeat insomnia and reach the world of dreams? How to stop letting life passing by and \u201cfinally start leaving\u201d?
\nAfter going through the dangerous swamp of pretexts, where the hero learns that seemingly unfavorable situations can turn into opportunities, Julius\u2019 quest for his lost sleep will end with a sweet lullaby singed by the rain. With a little help from his friends and a lot of willpower.[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/150803501″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Pineapple Calamari –\u00a0Kasia Nalewajka
\nSeen by Sofia Brugali<\/em><\/span><\/h5>\n

Pineapple Calamari<\/em> is a short claymation, whose opposite features confuse both its spectators and its characters. Indeed, talelike situations and real emotions, comedy and tragedy, craziness and habits blend into a discordant harmony. Because of this antithetical power, the loss of balance becomes \u2013 literally and metaphorically \u2013 the primum movens of the plot, which evolves from a simple narration to a cause for reflection.
\nThe horse Pineapple Calamari lives a happy routine with his two breeders and a crabby chicken, but their everyday life is twisted when one of the two women dies. Habits become a prison that anchor the livings to the past, while egoistically diminishing the value of present; normality turns out to be unknown.
\nKasia Nalewajka manages to explore the human psyche and lightly shows how difficult it is to cope with absence, described in the movie in its permanent form: death.[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/119044030″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]hird date with the online free-to-watch shorts taken…<\/p>\n","protected":false},"author":2,"featured_media":7953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96],"tags":[263],"yoast_head":"\nQuarantine Shorts | Part 3 | Concorto Film Festival<\/title>\n<meta name=\"description\" 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