{"id":8161,"date":"2020-08-14T06:22:53","date_gmt":"2020-08-14T06:22:53","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=8161"},"modified":"2020-08-14T06:22:53","modified_gmt":"2020-08-14T06:22:53","slug":"music_riot","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/music_riot\/","title":{"rendered":"Music Riot- The reviews"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

curated by Carlotta Magistris<\/em><\/p>\n

M<\/span><\/strong>usic has always been a part of a human being\u2019s soul: either as an intimate personal shelter or as a collective dance, as liberation or as personal and social emancipation, music has historically played a fundamental role in the development of one\u2019s identity. Making music, living music is an essential background in life that brings joy, sorrow and blurred feelings that take shape and create stories of life that need to be told. From coming-of-age narratives where music plays a leading role in one\u2019s self-affirmation, to musical expressions with the power of evolution of a cultural identity, the thematic selection of Music Riot focuses on the density of these music-people relationships across countries and historical and social eras and reflects on its own communicative power and its own ability to create macro and micro-universes of emancipation from oneself, others and one\u2019s daily reality.<\/p>\n

In collaboration with Seeyousound International Music Festival.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”8176,8174,8172,8186,8170,8178,8180,8184,8162,8166,8164″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

The selected shorts<\/strong><\/h4>\n

curated by Carlotta Magistris<\/em><\/p>\n

Former Cult Member Hears Music For The First Time<\/em>, Kristoffer Borgli, Usa, 2019
\nJourney Through A Body<\/em>, Camille Degeye, France, 2019
\nLonely Souls<\/em> (Strange Love), Taz Tron Delix, Uk, 2017
\nRise<\/em>, Barbara Wagner, Benjamin De Burca, Canada \/ Brazil, 2019
\nTrapped In The City<\/em>, David Verbeek, Netherlands \/ China, 2018
\nZombies<\/em>, Baloji, Belgium \/ Democratic Republic Of Congo, 2019<\/p>\n

Videoclip \u2013 Seeyousound<\/strong>
\nDANCERS, Rick Farin, UK, 2019 \u2013 Official music video for \u201cDancers\u201d by Plaid
\nLA CHANSON (The Song), Tiphaine Raffier, France, 2018
\nLONLEY FEELINGS, Simon Schmitt, France, 2019 \u2013 Official music video for \u201cLonely Feelings\u201d by Love Supreme
\nQUARANTINE, Astrid Goldsmith, UK, 2018
\nMOTHER, Ben Strebel, UK, 2019 \u2013 Official music video for \u201cMother\u201d by The Hour[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]FORMER CULT MEMBERS HEARS MUSIC FROM THE FIRST TIME – Kristoffer Borgli<\/strong>
\nMokumentary\u2019s brilliant cinematography form is here used for a sort of elegy to the power and beauty of music, through the image of a traumatised woman in a rarefied and alienated environment, who hears a musical sound for the first time in her life.<\/p>\n

JOURNEY THROUGH A BODY – Camille Degeye<\/strong>
\nAn intimate piece of direction in a claustrophobic Parisian apartment projects a half an hour immersion in an artist\u2019s alienated and rarefied life that is in full demolition analysed \u2013 because of an accident \u2013 by a social worker who appears in this existential chaos to put together vague lived and living moments for the viewer. Pale, personal, human.<\/p>\n

STRANGELOVE – LONELY SOULS – Taz Tron Delix<\/strong>
\nLo-fi pics, hand camera and optical effects all mixed together in the evocative aesthetics of Taz Tron Delix in a music video that breaks the boundaries and becomes fragmented video art in a synesthetic play of sounds and colours.<\/p>\n

RISE – Barbara Wagner, Benjamin de Burca<\/strong>
\nIn the Wagner de Burca duo\u2019s experimental film, in Toronto\u2019s subway public spaces a group of poets, rappers and musicians, who are members of the R.I.S.E. community composed primarily by Caribbean immigrants, perpetrate their performative vision of an apolitical and contemporary agitprop.<\/p>\n

TRAPPED IN THE CITY OF A THOUSAND MOUNTAINS – David Verbeek<\/strong>
\nDavid Verbeek\u2019s visionary camera penetrates in the Chinese city of Chongqing\u2019s suburbs, where the current scene rappers live the conflict between an increasingly hard censorship inflicted by the state to which they belong and the musical genre\u2019s significance in which they contextualise themselves, that of social and personal protest for a condition that needs to be overthrown, in constant balance between what can and cannot become expression.<\/p>\n

ZOMBIES – Baloji<\/strong>
\nBaloji explores with his direction two aesthetic faces of self-isolation that contemporary society inflicts on itself because of the impending employment of technology: from a night club with a digital light that dominates the neon one, to a street in full daylight, a carnal technology that incorporates too much of our existence as individuals and gives back too little.<\/p>\n

VIDEOCLIP – SEEYOUSOUND<\/strong><\/span><\/p>\n

DANCERS – Rock Farin, Claire Cochran<\/strong>
\nVisual tricks inspired by plastic\u2019s sustainability, which takes on an anthropomorphic life in a paradoxical dance.<\/p>\n

LA CHANSON – Tiphaine Raffier<\/strong>
\nIn a strange rarefied city, three inseparable childhood friends share a common aim: to create together a look-alike contest. Then comes Pauline\u2019s individualism, that takes her to a personal search in writing her own songs, and the magic of childhood games falters.<\/p>\n

LOVE SUPREME (LONELY FEELINGS)\u00a0 – Simon Schmitt<\/strong>
\nSpaces, cold colours, an endless fall. A gigantic white bed, a low ceiling, close-ups and tears. Feelings of solitude.<\/p>\n

QUARANTINE – Astrid Goldsmith<\/strong>
\nA delightful stop-motion set in a little English coastal town where a group of badgers, in the shade of a structure that hosts animals in quarantine, live their life and their folkloristic traditions trying to ignore the strange sounds nearby until the drama breaks out. An animated quarter of an hour for post quarantine.<\/p>\n

MOTHER – Ben Strebel<\/strong>
\nBlack and white, claustrophobic interiors and hidden faces in a slow motion that conceals a competitive violence.[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text] curated by Carlotta Magistris usic has always…<\/p>\n","protected":false},"author":2,"featured_media":8179,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[275,44],"yoast_head":"\nMusic Riot - Music as shelter, identity, rebellion<\/title>\n<meta name=\"description\" content=\"All the reviews of Music Riot, a focus dedicated to music as shelter, identity, rebellion. 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