{"id":8289,"date":"2020-08-26T13:42:35","date_gmt":"2020-08-26T13:42:35","guid":{"rendered":"http:\/\/asinovolablog.it\/?p=8289"},"modified":"2020-08-27T13:45:59","modified_gmt":"2020-08-27T13:45:59","slug":"daily-august-26-2020","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-26-2020\/","title":{"rendered":"Concorto Daily – August 26"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A<\/span><\/strong>fter dancing long hours yesterday night, what is up today at Concorto?<\/span><\/p>\n

At 5 pm at Palazzo Ghizzoni Nasalli, a meeting with <\/span>Non Una di Meno Piacenza<\/span><\/i>, Margherita Fontana and Vanessa Mangiavacca, curators of the <\/span>Focus Elle<\/b><\/a>, whose second part will be screened at 6 pm.<\/span><\/p>\n

At 9 pm at Parco Raggio, <\/span>Bare Trees in the Mist<\/span><\/i> takes us to immense Nepal, followed by <\/span>Fin De Saison<\/span><\/i>, suspended between thriller and musical. <\/span>Nagot Att Minnas<\/span><\/i>, stop motion animation by Niki Lindroth von Bahr, who worked as costume designer for artists such as David Bowie and Fever Ray, will end the first part of the evening.<\/span><\/p>\n

Alive<\/span><\/i> shows us a new and original perspective on disability, while <\/span>T<\/span><\/i> will make us experience a T Ball, a ceremony that Miami hosts every year to celebrate one\u2019s departed ones. The last shorts screened will be <\/span>Potop<\/span><\/i>, which re-interprets in an original way the generation gap, and <\/span>Sole Mio<\/span><\/i>, that portrays a family story in bourgeois France.<\/span><\/p>\n

Do not miss <\/span>Music Riot<\/b><\/a>\u2019s shorts in the greenhouse and the talk in the Boschetto with <\/span>Seeyousound festival<\/span><\/i>, partner of the Focus Music Riot.\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”8298,8300,8302,8290,8292,8294,8296″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Bare Trees in the Mist – Rajan Kathet
\nSeen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n

There\u2019s a corner of earth where silence reigns, where the land is so vast and unblemished to transform every sound in a musical note, in a synergic symphony between primitive human actions and the eternal survival of nature. Wrapped up in the mist, on Nepal\u2019s high grounds, we can glimpse at poor towns and communities where life revolves around rituals in agriculture, in craftmanship, in the preparation of food, in a rhythm that is diametrically opposite to that of a city. Kaali is a young mother, who waits for her husband to come back from a trip with some money for the family: through her encounter with the neighbours we perceive, together with the protagonist, that draining and troubled wait in the silence search for economic, but also emotional, certainties. The surrounding environment moves in symbiosis with these feelings, capable to absorb and return with its own language the anxieties that lie beneath it; even the images seem to develop in conjunction with nature, up to the moment the lump in the throat finally winds down. Rajan Kather represents poverty and wait with extreme delicacy through this journey, that is both physical and not, that has as its end point a sad realization. There comes a time in which we all feel like bare, dismayed trees: we learn from nature to get back on our feet once spring comes back again.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Fin de Saison – Matthieu Vigneau
\nSeen by Irene Pagano<\/em><\/span><\/h5>\n

Halfway between thriller and musical, \u201cFin de Saison\u201d by Matthieu Vigneau has a pretty good chance of slipping inside your recurring nightmares. Thanks to the actors\u2019 vacant expressions, to awkward dancing and an enormous amount of see-through aqua socks, Vigneau sets up a carousel of grotesque in which the only characters that don\u2019t talk through singing express themselves through poetical ramblings and ideograms painted with sauce. If the sharp composition, the bucolic scenery and the dry deliveries are reminiscent of Lanthimos\u2019 \u201cDogtooth\u201d in an unlikely marriage with early Wes Anderson-ian colours and mannerism, the feeling of dread it conveys holds a very peculiar quality, not derivative at all. It looks like the characters, rather than bursting into songs when overtaken by strong emotions, are instead cursed by the musical anathema, forced to unevitably squeeze their most human, depressing and frustrating feelings inside of a catchy tune. Nonetheless, like many stories about weirdness and horror, \u201c Fin de Saison\u201d is also about love. A sort of love which could perhaps be labelled as gothic, as the font used in the title suggests.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Nagot Att Minnas – Niki Lindroth Von Bar
\nSeen by Yorgos Kostianis<\/em><\/span><\/h5>\n

While the name Niki Lindroth von Bahr, might be a tad difficult to remember,
\nthe evocative aesthetic of her films is somewhat impossible to forget.
\nBased in Stockholm, Sweden, Niki has been working as a prop maker and costume designer for revered artists like David Bowie and Fever Ray. However, stop-motion animation is where her eccentric talent really shines.
\nIn 2017, her third short film The Burden, swept the board in most animated film festivals \u2013including the highest accolade at Annecy International Animated Film Festival; thus making Lindroth a hallmark name in the animation world.
\nHer films feel like little purgatories. Caricatures of a world so astoundingly lifelike in its detail, yet uncannily surreal in its outlandishness.
\nHer latest film, \u201cSomething to Remember\u201d, plays out like a swan song lullaby for the end of the world after an accident at the CERN laboratory.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Alive – Jimmy Olsson
\nSeen by Irene Pagano<\/em><\/span><\/h5>\n

Victoria isn\u2019t a miserable creature, desperate for love and contact. She is a person with desires and, among the others, the wish of feeling desired. As soon as she starts perceiving herself in this light, the path seems to become clearer.
\n“Alive” by Swedish director Jimmy Olsson presents a fresh approach to a theme never really tackled enough: disabled characters\u2019 stories can be captivating even if they\u2019re not portayed as superheroes. A sensitive topic like sexual intimacy might sometimes be handled akwardly, especially when minorities are involved, because we have lacked adequate representation and openness for so long that we haven\u2019t yet fully developed a language to narrate it. But here, awkwardness just adds another shade to the realism of it, to the harshness and the kindness implicated in the process. The characters are almost as oblivious as us and are still in that process of learning themselves, and seeing them getting their heads around it really is both heartwarming and thought-provoking. In addition, the lead actresses give wonderful performances not just in portaying carer-client interactions but respectful, friendly, genuinely interested ones, without sweetening all the embarassment and the misteps that dealing with a professional relationship bordering this much onto closeness can often cause.
\nLast but not least, Olsson proves to have a remarkably delicate eye for bodies and their discourse. We see Victoria being manipulated, cleaned, carried around, made to sit up or lay down. But we never see her moments alone or with H\u00e5kan. Like Ida, we give her space. We let her feel alive.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

T \u2013 Keisha Rae Witherspoon
\nSeen by Vanessa Mangiavacca<\/em><\/span><\/h5>\n

Every year Miami hosts the T Ball, an Afro-American ceremony to celebrate the departed loved ones with a unique and colorful liturgy during which the participants create innovative costumes to remember those who have been lost. Merging three stories, Keisha Rae Witherspoon presents an anarchic portrait of this moment, creating an extraordinary experimental documentary: many are the sensorial connections stirred up by T, winner of the Golden Bear for Best Short Film 2020 and Italian premiere at Concorto. American and African cultures clash, they seldom meet (the recent Black Lives Matter protests prove it once again): the supremacy of the former has resulted over time in overshadowing the latter, causing some cultural and ancestral aspects to be forgotten. The short, whose form and topic recall Divine Horseman by Maya Deren, another memorable experimental documentary, interprets the death rite as a moment not as much of celebration, but as an opportunity to free and share one\u2019s creativity: this latter is meant as the ultimate form of expression, as a way to relieve the pain and give life back to those who have been lost. CREATE OR DIE, we hear over and over again. T is a cultural testimony, an eccentric visual poem, a surreal and cosmic prayer, an extra-terrestrial funeral dance, a hymn to self-expression in all its forms.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Potop – Kristijan Krajncan
\nSeen by Sofia Brugali<\/em><\/span><\/h5>\n

Potop (The deluge)<\/em> is an original interpretation of the generational conflict, a short film characterized by a mix of realistic setting and mythological atmosphere.
\nIn an old family hut, a son is torn between his desire to reconcile with his origins and traditions, embodied in his father, and his need to leave them behind. This internal contradiction is represented by the director Kristijan Krajn\u010dan through recurring symbols: the omnipresent water, an image of change, whose pounding serves as a background for the filial dilemma; and the toad, generally linked to transitional periods and metamorphosys.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Sole Mio – Maxime Roy
\nVisto da Carlotta Magistris<\/em><\/span><\/h5>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]fter dancing long hours yesterday night, what is…<\/p>\n","protected":false},"author":2,"featured_media":8299,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"\nConcorto Daily August 26 - All the reviews of the shorts in competition<\/title>\n<meta name=\"description\" content=\"Concorto daily: all the reviews of the sorts in competition today plus info, interviews and other paraphernalia of the festival.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asinovolablog.it\/en\/daily-august-26-2020\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Concorto Daily August 26 - 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