{"id":8389,"date":"2021-03-03T08:26:39","date_gmt":"2021-03-03T08:26:39","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=8389"},"modified":"2021-03-03T08:26:39","modified_gmt":"2021-03-03T08:26:39","slug":"shortcut-boris-labbe","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/shortcut-boris-labbe\/","title":{"rendered":"SHORTCUT #2 | Boris Labb\u00e9"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

curated by Vanessa Mangiavacca and Yorgos Kostianis<\/em><\/p>\n

S<\/span><\/strong>econd Shortcut stop (do shortcuts have stops? yes). For this interview, we opened the visionary drawers of <\/span>Boris Labb\u00e9<\/span><\/a>. He participated in Concorto in 2018 within the UBIK focus with the animation <\/span>La chute<\/span><\/i><\/a>.<\/span>[\/vc_column_text][divider line_type=”Small Line” line_alignment=”default” line_thickness=”2″ divider_color=”accent-color”][vc_column_text]\"\"Boris Labb\u00e9 (b. 1987, Lannemezan, France) is a graphic and video artist and director who works mainly with animation and installation.
\nHe studied at the School of Art and Ceramics in Tarbes and the EMCA of Angoul\u00eame. In 2012, his project Kyrielle<\/span> <\/em>was awarded the Special Jury\u2019s prize for Graduation Films at the Annecy International Animated Film Festival. He has collaborated with Sacrebleu Productions to direct two short films: Rhizome<\/em> (2015) and La Chute<\/em> (2018).
\nHe is interested in the way space and time are ordered in film and video production and in exploring and disrupting the patterns that result. His work ties together the device of looping and the theme of regeneration, exploring evolution and the perpetual loss of and return to life through cyclical editing.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”2″ divider_color=”accent-color”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

1 – If you\u2019d have to present yourself with solely one of your films, which one would you choose?
\n<\/span><\/h5>\n

\u2013 <\/b>Kyrielle<\/strong> <\/span><\/i><\/a>\u00a0by\u00a0Boris Labb\u00e9 – 2011<\/span><\/p>\n

Kyrielle is my graduation film made at EMCA in 2011. It is the project that kick-started my career in the festival and exhibition scene and I\u2019m always glad to show it.
\nThe playful and colorful animation style is appealing to children, while adults will perhaps discern certain themes of loneliness, meetings, or separations between individuals.
\nKyrielle likens life to a labyrinth wherein each of us has to walk without a distinct direction or purpose.
\nUnfortunately, this is only a trailer since the film is not available online in its entirety.<\/p>\n[\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/21194773″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

2 – A short film you\u2019d put in a time capsule for future generations to watch.
\n<\/span><\/h5>\n

\u2013\u00a0<\/i><\/b>Inhabitants<\/strong> <\/span><\/i><\/a>\u00a0by Artavazd Pelechian – 1970<\/span><\/p>\n

It\u2019s been only a few years since I discovered this movie, yet its memory remains deeply etched in me.
\nI discovered the movie INHABITANTS a few years ago, but its memory has remained etched in my mind.
\nIt is an experimental film work of art of great quality, and I personally find its theme particularly touching. If humanity discovers this film a few hundred years in the future, it could perhaps be viewed as a testimony of our actions on the world and, in particular, on the mass extinction of flora and fauna.
\nToo bad it is impossible to find a better quality of video on the web.[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=H0Z5vWMMRyQ&feature=emb_title&ab_channel=GrupoG%C3%B3mezRojas” el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

3 – Your go-to film for when you get the blues.
\n<\/span><\/h5>\n

\u2013\u00a0<\/i><\/b>Crac! <\/i><\/a><\/strong>by\u00a0Fr\u00e9d\u00e9ric Back – 1981<\/span><\/p>\n

I hadn\u2019t watch this film in a long time, but it’s always a pleasure to watch Fr\u00e9d\u00e9ric Back\u2019s work. CRAC is a film that seems to me to be very generous in all of its aspects, it is a feel-good watch.[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=cunZh4VJZ4Y&ab_channel=J%C3%A9r%C3%B4meLabb%C3%A9″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

4 – A psychotropic animation that sends you down the rabbit hole.<\/span><\/h5>\n

\u2013 <\/i><\/b>Fire (Pozar)<\/i><\/a> <\/strong>\u00a0by David Lynch – 2015<\/span><\/p>\n

David Lynch is one of my favourite filmmakers, I love his filmography almost in its entirety \u2013from his first short films to feature films widely known to the general public.
\nIn FIRE (POZAR) Lynch perhaps pays tribute to his first loves: drawing, painting, and animation; while entirely freeing himself from the shackles of directly comprehensible narratives. It’s a veritable experience that plunges us into a bizarre nightmare, clad in a sumptuous soundtrack by Marek Zebrowski.[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=BXTLsQBJSVc&ab_channel=DAVIDLYNCHTHEATER” el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

5 – A short film that you consider a hallmark in short film history.
\n<\/span><\/h5>\n

\u2013\u00a0<\/i><\/b>Canon<\/strong> <\/span><\/a><\/em>\u00a0<\/em>by Norman Mc Laren – 1964<\/span><\/p>\n

Norman Mc Laren is also a very important filmmaker to me.
\nCANON is not his best-known film, but it represents a special moment for me.
\nI believe that looping techniques of this caliber have never been seen in the history of cinema, in addition to an almost didactic desire to comprehensively showcase the technical principles that are employed.
\nIn fact, it would inspire the works of various directors like Zbigniew Rybczy\u0144ski\u2019sTango, Michel Gondry, and many others… The music is also exceptionally modern for the time.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

6 – A short film that left you gawking speechlessly at the screen.
\n<\/span><\/h5>\n

\u2013\u00a0<\/i><\/b>Rosalie<\/strong> <\/span><\/a><\/em>\u00a0<\/em>by Walerian Borowczyk – 1966<\/span><\/p>\n

After having mainly worked with animation, Walerian Borowczyk presented this short film, minimalist in its form yet overwhelming due to the proximity created by the acting prowess of the protagonist. It\u2019s an adaption of a text by Maupassant, interspersed with frame-by-frame object animation insertions.<\/span>
\n<\/span>[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=MiKVBL5_ka0&ab_channel=CorpoClandestino” el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

7 – A short film that gets you in the mood.
\n<\/span><\/h5>\n

\u2013 <\/i><\/b>Fest<\/strong> <\/span><\/a><\/em>\u00a0<\/em>by Nikita Diakur – 2018\u00a0<\/span><\/p>\n

FEST shows us a somewhat hysterical block party, with electro music, dancers, GoPro YouTubers eager for thrills, trucks, and drones![\/vc_column_text][vc_video link=”https:\/\/vimeo.com\/257761642″ el_width=”80″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

8 – What do you miss most about film festivals?
\n<\/b><\/span><\/h5>\n

I miss festivals mostly for their convivial aspect; meetings with the public and other directors. Naturally, I also miss the chance to see quality films in theaters, retrospectives, exhibitions, etc.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text] curated by Vanessa Mangiavacca and Yorgos Kostianis…<\/p>\n","protected":false},"author":2,"featured_media":8394,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96],"tags":[281,279],"yoast_head":"\nShortcut #2 feat. 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