{"id":8861,"date":"2021-08-28T14:58:13","date_gmt":"2021-08-28T14:58:13","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=8861"},"modified":"2021-08-28T14:58:13","modified_gmt":"2021-08-28T14:58:13","slug":"il-giornaliero-di-sabato-28-agosto","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/il-giornaliero-di-sabato-28-agosto\/","title":{"rendered":"Concorto daily, August 28"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]U<\/span>ltimo giorno di Concorto 2021!<\/strong><\/p>\n

No, non \u00e8 tempo di piangere; facciamoci una infornata di corti e poi avremo tempo per disperare.<\/p>\n

Primo appuntamento ore 17 alla Ricci Oddi, un bel talk sul nostro progetto [Seeing Voices] L’accessibilit\u00e0 del cinema per una cultura inclusiva<\/strong>.<\/p>\n

Parco Raggio ci attende come sempre per la cena dalle 20.15 e dalle 21 la serata si anima con le premiazioni dei corti vincitori 2021. Chiudiamo in bellezza alle 23.30 con i corti di Deep Night<\/strong> in serra.<\/p>\n

Come ogni anno trovate gli asinelli d’oro<\/strong> della nostra redazione. Buona lettura e vive le cin\u00e9ma![\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”8770,8749,8801,8815,8825,8819,8682,8690,8817″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Asinello d’oro di Sofia Brugali<\/span><\/h5>\n

Without any doubt, my\u00a0Asinello d\u2019Oro<\/em>\u00a0for the 20th<\/sup>\u00a0edition of Concorto Film Festival goes to\u00a0Sefid Poosh\u00a0<\/strong>(White Clad<\/em>) by Reza Fahimi. I think that the most appropriate adjective to describe the short film is\u00a0precious<\/em>, because of the sensibility through which the filmmaker has been able to talk about life and death. Indeed, while the plot put the emphasis on death penalty in Iran, the film includes positive values, too. They are especially evident in the character of Ahmed and enacted by the people he meets in the village. Hospitality, reciprocity and solidarity are represented together with the subject of death sentence and its acceptance by the relatives of the victim.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Asinello d’oro di Margherita Fontana<\/span><\/h5>\n

My Golden Donkey this year goes to the British animation Affairs of the Art<\/strong> by Joanna Quinn for its light-hearted portrayal of family ties as a driver of creativity. I also loved the irony with which the author gives form through drawing to her fascination with death (and everything that precedes it).[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Asinello d’oro di Yorgos Kostianis<\/span><\/h5>\n

For its seamless execution of the one-take shot, its variegated yet somehow familiar cast, and the unforced fashion through which it observes and dissects the woes and the solaces of a generation struggling to find its place on this weary world \u2013my golden donkey goes to Otto Lazi\u0107-Reuschel\u2019s When I Dance, The Earth Trembles<\/strong>.<\/p>\n

Special Mentions:
\nThe Nightwalk – Adriano Valerio;
\nGrab Them – Morgane Dziurla-Peti;
\nLizard \u2013 Akinola Davies[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Asinello d’oro di Carlotta Magistris<\/span><\/h5>\n

For the insightfulness of a kinetic photography that hits particularly close to home for today’s millennials but also for all the generations that escaped the trap of escapism and headed to free cities and for the strength of the cinematic language of a low-budget self-production, my Asinello d\u2019Oro goes to “When I dance, the earth trembles<\/strong>” by Otto Lazic-Reuschel.<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Asinello d’oro di Vanessa Mangiavacca<\/span><\/h5>\n

Giving only one Asinello d\u2019Oro in this 2021 edition is a very tough choice. As usual, we let ourselves be carried away by emotions, and each passing year gives us a different point of view: my Asinello d\u2019Oro goes to Searching for a mutual composition <\/strong>by Peter Podolsky, because its delicate and straightforward approach made me see my mother under a new light. Special mention to Swallow the Universe <\/strong>by Nieto: it is not easy to find another short film that switches your mind off for 15 minutes.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Asinello d’oro di Irene Pagano<\/span><\/h5>\n

My Asinello d\u2019Oro goes to \u201cNoir-Soleil<\/strong>\u201d by Marie Larriv\u00e9, a heartbreaking hommage to fragile relationships, for its beautiful and haunting animations, the vividness of its colours, the vitality of its natural and urban backgrounds. This film portays a kind of love which is inherently elusive, expressed through the subliminal language of silence and distance, and which is constantly walking the borders between instinctual harmony and utter incompatibility. It\u2019s a great feat to give such flawless represantation to a dynamic so hard to define, and Larriv\u00e9 leaves exactly as much room for doubt and conflict as needed.
\nAs imperfect and broken love seems to be a reoccurring theme in most of my favourite stories, I will also give a Special Mention to Andrea Schramm\u2019s \u201c27 Schritte<\/strong>\u201d. Here too, stillness plays a huge role in depicting what could only be described as a wound inside a wound, a quiet and yet atrocious pain whose honesty can\u2019t help but resonate with all of us during these weird, chaotic times.<\/p>\n

 <\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Asinello d’oro di Alice Capitani<\/span><\/h5>\n

My Asinello d\u2019Oro goes to Grab Them<\/strong>, a deepfake short film by Morgane Dziurla-Petit, for being able to successfully dissect truth, fake news, and politics, turning upside down the viewer’s perception of reality: would you ever have thought to empathize with someone who, although just on the surface, looks like Donald Trump? An innovative and irreverent work capable of making you laugh but still stressing an idea that, in this social media era, is more important than ever: stop judging people by their looks.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]ltimo giorno di Concorto 2021! No, non \u00e8…<\/p>\n","protected":false},"author":2,"featured_media":8802,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"\nSaturday August 28- Concorto Daily - The awards of our newsroom<\/title>\n<meta name=\"description\" content=\"Concorto Daily: all the reviews of the shorts in competition and much much more. 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