{"id":8896,"date":"2022-07-12T11:31:43","date_gmt":"2022-07-12T11:31:43","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=8896"},"modified":"2022-07-12T11:31:43","modified_gmt":"2022-07-12T11:31:43","slug":"deep-night-recensioni-2022","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/deep-night-recensioni-2022\/","title":{"rendered":"DEEP NIGHT 2022 – Le recensioni"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

testo e recensioni di Rael Montecucco<\/em><\/p>\n

S<\/span><\/strong>ince 2016, Deep Night has offered the audience of Concorto the possibility to approach the most radical and peculiar Genre Cinema. Deep Night was originally thought to be a space for horror films, but over the years, it has broadened its horizons, looking for the craziest, strangest, and weirdest stories. At the same time, it tries to give importance to those authors who offer a different and personal approach to the Genre Cinema. Fiction, animation, experimental cinema: the Deep Night selection has no limits. Every year it takes the best fantasy short films to the screens of Concorto, with numerous Italian premieres and international guests. A must-see event for those who love strong emotions, either laughter or fear. This year too, Deep Night will take place in three evenings, in the suggestive location of the Teatro Serra di Parco Raggio, and it will be one of the most awaited and surprising events of Concorto. The viewing mode with wireless headphones has been confirmed to ensure a more immersive and engaging experience.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”8911,8909,8921,8915,8907,8919,8905,8923,8930,8901,8927,8899,8933″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

The selected shorts<\/strong><\/h4>\n

by Rael Montecucco<\/em><\/p>\n

Ampangabagat Nin Talakba Ha Likol<\/strong> (It’s raining frogs outside) di Maria Estela Paiso, 2021, Philippines<\/p>\n

Calving<\/strong> di Louis Bhose, 2021, Ireland<\/p>\n

Doom Cruise<\/strong> di Hannah Stragholz, Simon Steinhorst, 2021, Germany<\/p>\n

Gakjil<\/strong> (Persona) di Sujin Moon, 2022, South Korea<\/p>\n

Growing<\/strong> di Agata Wieczorek, 2021, Poland\/France<\/p>\n

Guts<\/strong>, Chris McInroy, 2021, USA<\/p>\n

Krasue<\/strong> di Ryo Hirano, 2021, Japan<\/p>\n

Les d\u00e9mons de Dorothy<\/strong> (The Demons of Dorothy) di Alexis Langlois, 2021, France<\/p>\n

Les fourmis ont d\u00e9vor\u00e9 mon \u00e2me<\/strong> (Ants devoured my soul) di Adrien Vel, 2021, France<\/p>\n

Soft Animals<\/strong> di Renee Zhan, 2021, UK<\/p>\n

Squash<\/strong> di Dave Cooper, 2020, Canada<\/p>\n

Tank Fairy<\/strong> di Erich Rettstadt, 2021, Taiwan\/USA<\/p>\n

Visitors<\/strong> di Kenichi Ugana, 2021, Japan[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][vc_column_text]Calving:<\/b> In a village in the Irish countryside, a strange calf is born, and it won\u2019t stop screaming in agony. A vet is called to solve the situation. <\/span>
\n<\/span>An atmospheric short film that shifts between mystery and horror. The author Louis Bhose perfectly manages to create a uniquely disturbing image with just a few elements. A film to keep you up all night.<\/span><\/p>\n

\u5f80\u8a2a<\/b> (Visitors): <\/b>Three guys go visit their friend, who has gone off the grid for some time. They will soon realize that something\u2019s up in their friend\u2019s \u201cnew\u201d life. A horror comedy, between Evil Dead and typical Japanese humor, directed by the well-established Kenichi Ugana. A gem.\u00a0<\/span><\/p>\n

Les d\u00e9mons de Dorothy: <\/b>Dorothy is a director, and she wants to make an extreme, queer and politically incorrect film. But everybody seems to be against her, even her mother. A surreal, colorful, and explosive adventure that attacks the film industry, the \u201cmale gaze\u201d, and the excessive moralism. Mandico and Poggi\/Vinel are strong influences. Presented in Locarno. A hilarious must-see.\u00a0\u00a0<\/span><\/p>\n

Ampangabagat Nin Talakba Ha Likol (It\u2019s raining frogs outside): <\/b>A journey into the self of the protagonist, who\u2019s facing a spiritual and identity crisis. Childhood memories and predictions about a more and more unpredictable future blend together in a particular frame, where frogs are raining from the sky. An experimental, intimate, and astonishing film, one of the most personal and visually suggestive works you will see this year.\u00a0<\/span><\/p>\n

Growing: <\/b>Ewa studies and works in maternity nursing, in a clinic. She and the other doctors are trained using dummies and mechanical phantoms. As the days go by, Ewa starts to lose touch with reality and gets lost in this aseptic world, out of space and time, between fake and real pregnancies, reality and nightmare. The Polish artist Agata Wieczorek creates a strong and disturbing work, an attack to the insane anti-abortion politics of her country.<\/span><\/p>\n

Tank Fairy: <\/b>The magical and colorful Tank Fairy supplies gas tanks to the area. One day, she goes over to the house of a young misunderstood kid, Jojo, and changes his life. A captivating queer-movie that will torment you with its theme song.<\/span><\/p>\n

Krasue:<\/b> During a conflict between two rival gangs of the Thai yakuza, Krasue\u2019s spirit (a flying head with dangling guts) starts following one of the criminals. Is it love or persecution? From the Annecy Festival, an on-the-road animation that shifts between extreme violence and unexpected poetic moments. Don\u2019t miss it!<\/span><\/p>\n

Soft Animals:<\/b> After years, two ex-lovers bump into each other at a train station. They will be overwhelmed. The author of the acclaimed \u201cO Black Hole!\u201d comes back with both a delicate and fierce animation. A film that concerns all of us.<\/span><\/p>\n

Guts:<\/b> Life at the office is not easy for somebody who constantly has its guts exposed. Will our hero obtain his long-awaited promotion? A comedy splatter that will have you <\/span>die<\/span><\/i> laughing.<\/span><\/p>\n

Doom Cruise:<\/b> A cruise ship traveling to nowhere. The passengers are doomed: some of them know it, some pretend they don\u2019t, some others ignore what awaits them. In some way, everyone is looking for a last moment of warmth and intimacy. Funny characters and intense colors: animated existentialism. Bitter Sweet symphony.<\/span><\/p>\n

Les fourmis ont d\u00e9vor\u00e9 mon \u00e2me (Ants devoured my soul): <\/b>Three lives, three destinies, and three roads that take to unexplored horizons. An animation film, apparently dark and claustrophobic, that hides more than a single meaning behind its amazing drawings.<\/span><\/p>\n

Squash: <\/b>Psychedelia and BDSM in this little experimental trip.<\/span><\/p>\n

Gakjil (Persona): <\/b>Every day, we\u2019re forced to wear a smiling and happy face, to be accepted by a society that\u2019s dominated by the image. Moon Su-jin\u2019s animation shows a girl that wearily drags her second skin with her, the happy and radiant one. At night, when she gets home, she takes it off and her true self is back again. But how long can this last? A reflection on social media addiction and on the obsession with one\u2019s appearance. A humanity that\u2019s moving forward de-personification: more and more avatars, less and less human beings.\u00a0<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text] testo e recensioni di Rael Montecucco ince…<\/p>\n","protected":false},"author":2,"featured_media":8912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[48,49,307],"yoast_head":"\nDEEP NIGHT - The reviews of the selected shorts - Concorto<\/title>\n<meta name=\"description\" content=\"Horror, weird and loathing: here's our disquieting retrospective that will keep you awake during the festival and for many nights to come.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asinovolablog.it\/en\/deep-night-recensioni-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DEEP NIGHT - 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