{"id":9121,"date":"2022-08-20T13:24:46","date_gmt":"2022-08-20T13:24:46","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=9121"},"modified":"2022-08-21T09:28:19","modified_gmt":"2022-08-21T09:28:19","slug":"daily-august-20-2022","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-20-2022\/","title":{"rendered":"Concorto Daily, August 20"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]<strong><span class=\"nectar-dropcap\" style=\" color: #f1564f;\">C<\/span><\/strong>i siamo! Oggi inizia la ventunesima edizione di Concorto e non poteva mancare l&#8217;ormai tradizionale appuntamento con i <em>Giornalieri<\/em>, ovvero le recensioni dei film in programma day by day.<\/p>\n<p>Apriremo le danze alle ore 21 a Parco Raggio (ma ormai lo sapete, vi aspettiamo dalle 20 per cenare insieme a noi nel boschetto) e proseguiremo fino a tarda notte grazie alle proiezioni notturne in serra delle ore 23.30; in programma <a href=\"https:\/\/asinovolablog.it\/en\/comicomedy\/\">ComiComedy<\/a> e <a href=\"https:\/\/asinovolablog.it\/en\/guilty-pleasures-2\/\">Guilty Pleasures<\/a>.<\/p>\n<p>E ora, spazio alle recensioni dei film in concorso![\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;20&#8243; bottom_padding=&#8221;20&#8243; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;9128,9130,9134,9126,9124,9122,9132&#8243; display_title_caption=&#8221;true&#8221; layout=&#8221;fullwidth&#8221; item_spacing=&#8221;default&#8221; constrain_max_cols=&#8221;true&#8221; gallery_style=&#8221;3&#8243; load_in_animation=&#8221;none&#8221; img_size=&#8221;600&#215;403&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Gare au Fenwick &#8211; Adrien L&#8217;Hommed\u00e9<br \/>\n<em>As seen by Anna Vullo<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">With a gloomy look and screeching music in the background, Alan says goodbye to his parents in what seems to be their last supper together. Removed from the family nest, he is catapulted in the working world, the name of which is in this case: the shipyard C.A.C.E.S. LAND. An idyllic country, according to the employer it reveals itself to be a prison with no way out, made of white lacquered kitchen and as only menu offers Andy Warhol style soups, on top of that powdered. With <\/span><i><span style=\"font-weight: 400;\">Gare au Fenwick<\/span><\/i><span style=\"font-weight: 400;\">, as world premiere in Concorto, Adrien L\u2019Hommed\u00e9 manages to externalise and to make palpable the alienation suffered in some working environments, that lead the workers to leave their humanity behind and become a machine, in this case: a Fenwick H25.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Ice Merchants &#8211; Jo\u00e3o Gonzalez<br \/>\n<em>As seen by Francesca Marchesini<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">The short film directed by Jo\u00e3o Gonzalez is able to deal with the lightness &#8211; and not superficiality &#8211; which characterizes animation works with two big themes: the damages caused by the climate crisis and the death of a parent. <\/span><i><span style=\"font-weight: 400;\">Ice Merchants<\/span><\/i><span style=\"font-weight: 400;\"> follows the story of a father who, after his wife\u2019s death, raises his son alone and continues to carry on his unusual job, that of the ice merchant; the family balance will be severely affected (again) as temperatures rise. The work does not present any dialogue, letting the images fully involve the viewer. The result is tenderly bitter sweet.\u00a0<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">The water murmurs &#8211; Story Chen<br \/>\n<em>As seen by Francesca Marchesini<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">\u201cThe water sleeps while people are suffering\u201d prophecies the chant on which the filmographic work realized by Story Chen opens, a short film with an apocalyptic sci-fi outline (a meteorite strikes the earth causing\u00a0 the water level to rise steadily) that gently touches the theme of abandonment of places and people from the past. Nian traces the streets of her small town before leaving it with her mother to escape to the north; during this \u201cpilgrimage\u201d she meets Tian and Mr. Peng, reliving in this way the times when she used to swim with the former and spent her childhood under the custody of the latter . To leave or to stay? The protagonist of <\/span><i><span style=\"font-weight: 400;\">The water murmurs <\/span><\/i><span style=\"font-weight: 400;\">does not fight against this choice, however the audience observes how she and her world suffer the decisions made by others.\u00a0\u00a0<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Two sisters &#8211; Anna Budanova<br \/>\n<em>As seen by Chiara Ghidelli<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">On the edge of a dark and mysterious forest, two identical women&#8217;s bodies travel in their spaces, merging and mingling. In a tribal dimension, where fear is chased away by dances and ritual gestures, the two women explore a relationship of sisterhood that will soon be challenged. Through an animation with an essential color scheme and an aesthetic that recalls an imaginary made of primitive shapes, Anna Budanova recounts a path of growth, together with the painful evolution of an apparently unbreakable relationship. Playing on similarity and on the substitution of shapes and identities, <\/span><i><span style=\"font-weight: 400;\">Two Sisters<\/span><\/i><span style=\"font-weight: 400;\"> highlights how the arrival of the unknown and the unfamiliar brings out differences and shades, towards a more mature emergence of personality and awareness. A tale of conservation and response to the unexpected, the outside and the disturbing.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Buon Natale &#8211; Viren Beltramo<br \/>\n<em>Visto da Chiara Ghidelli<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">On a cold Christmas day, a father and her daughter travel together to a traditional family lunch. Trying to move between moments of tenderness and awkwardness, the two of them experiment with the incapacity to relate to an environment they know, that is yet totally unknown at the same time. The protagonists are locked in a family house that becomes the microcosm of a society that cannot communicate: <\/span><i><span style=\"font-weight: 400;\">Buon Natale<\/span><\/i><span style=\"font-weight: 400;\"> narrates the moments of a desperate search for authenticity. A father who suffers and a child who can transform each heaviness into a moment of play, live a unique story that is at the same time relatable for everybody. This short film mixes a painful and silent realism to a fantasy with open eyes, capable of creating magic out of the most common reality.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">High Sky Low Land &#8211; Maria Eriksson-Hecht<br \/>\n<em>Visto da Chiara Ghidelli<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">Under a sun that burns the fields, and in a silence broken only by the wind, a little girl walks three of her dogs. At home, her bedridden father, immobilized by an invisible, too deep illness. That\u2019s how the story of a too early growth begins, together with a forcefully deleted childhood. In an intimate and painful inquiry, Maria Eriksson-Hecht manages to recount the identity of a child, unconsciously forced to take on a role that shouldn\u2019t belong to her, replacing an omnipresent loss, that of her mother. <\/span><i><span style=\"font-weight: 400;\">High Sky Low Land<\/span><\/i><span style=\"font-weight: 400;\">, which is both the narration and the analysis of the act of taking care, at the risk of losing her own innocence, manages to weigh and measure each emotion, and codifies it into gestures and situations. A journey towards overcoming an invisible barrier.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">On my Mind &#8211; Martin Strange-Hansen<br \/>\n<em>Visto da Chiara Ghidelli<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">An old empty bar, a couple of owners, a dark man arrived by chance to drink some whisky. A karaoke. That\u2019s how the unusual frame made up by the Danish Martin Strange-Hanse takes place in a surreal Nordic country. A short story, partially autobiographical, that flashes a light upon what lies behind the simplest and apparently lightest gesture, like singing a song in a karaoke without the public. With the capacity to disorient, passing from the tones of the grotesque and the absurd, to those of the most heartfelt drama, <\/span><i><span style=\"font-weight: 400;\">On My Mind<\/span><\/i><span style=\"font-weight: 400;\"> manages to bring people to a dimension that could be everywhere and nowhere, towards the universality of a story where time passes tragically and inevitably in a single direction. A time that passes with an only objective, through the lightness of those who don\u2019t stop to wonder what might it mean: to sing one last song.\u00a0<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]i siamo! Oggi inizia la ventunesima edizione di&#8230;<\/p>\n","protected":false},"author":2,"featured_media":9131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Saturday August 20 - Concorto Daily - All the reviews<\/title>\n<meta name=\"description\" content=\"Concorto Daily: all the reviews of the shorts in competition and much much more. 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