{"id":9268,"date":"2022-08-26T13:44:58","date_gmt":"2022-08-26T13:44:58","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=9268"},"modified":"2022-08-27T09:19:42","modified_gmt":"2022-08-27T09:19:42","slug":"daily-august-26-2022","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/daily-august-26-2022\/","title":{"rendered":"Concorto daily, August 26"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]L<\/span><\/strong>et\u2019s try to fight the nostalgia evoked by the fact that Concorto is coming to its end (sob) by thinking about the day we have ahead: at 6 p.m., at Salone degli Amici dell’Arte in Piacenza, special screenings dedicated to the Emilia Romagna nel Mondo project, including “our” project Al di l\u00e0 del mare.<\/p>\n

At 9 p.m., at Parco Raggio, screening of the last shorts in competition, followed at 10:30 p.m. by Furtherset\u2019s concert, who will perform live the “Secolo Nostro” soundtrack.<\/p>\n

From 11:30 p.m., the cinephiles’ night in the Greenhouse features the third part of Ubik and Deep Night.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”9273,9271,9269″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Chords – Estibaliz Urresola
\nVisto da Vanessa Mangiavacca<\/em><\/span><\/h5>\n

Le pieghe del volto di Rita rivelano la sua et\u00e0 e celano coraggio, determinazione e un\u2019energia inaspettata. Attraverso <\/span>Cuerdas <\/span><\/i>la regista Estibaliz Urresola Solaguren si sofferma su un raccolto corale e collettivo di empowerment femminile lontanissimo da ogni clich\u00e9. Presentato alla Semaine de la Critique 2022 e ora a Concorto in anteprima italiana, il cortometraggio spagnolo si sofferma sull\u2019impegno politico e umano di una donna di novant’anni che, divisa tra le prove del coro e giustizia sociale, afferma la propria presenza e risolutezza, decisa ad occupare il proprio posto nel mondo, cercando di trasformarlo in meglio . \u201cDobbiamo cantare con tutto il nostro corpo, con il diaframma, con la respirazione\u201d: cos\u00ec le donne del coro mettono interamente se stesse nella loro causa e nella decisione di accettare o meno la sponsorizzazione di una delle aziende pi\u00f9 inquinanti del loro paese per riuscire a continuare ad affittare la loro sala prove. Ne emerge un dibattito costruttivo che include molteplici punti di vista.\u00a0<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

The headhunter’s daughter – Don Josephus Raphael
\nAs seen by Francesca Marchesini<\/em><\/span><\/h5>\n

Don Josephus Raphael’s work recounts Lynn’s journey to the city in search of fortune in the music field. However, The Headhunter’s Daughter is not a simple solo road-trip; the short movie develops around the relationship- absent -between the protagonist and her own father, thus transforming the quest for success into a quest for attention. Although there is no developed dialogue in the canonical sense between “the headhunter” and his own daughter, this void is filled by music and by making the structure of the movie take on the features of a video clip.<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Heltzear – Mikel Gurrea
\nAs seen by Margherita Fontana<\/em><\/span><\/h5>\n

Getting uo, growing up, reaching: this is in Basque the meaning of the title of the short film by Mikel Gurrea. It alludes to this ascensional movement of the protagonist\u2019s passion, a young climber. In fact, Sara is training for a very difficult climb, a close-up with the rock, prepared through tough workouts. We observe her while she is writing a letter to her absent brother, who has been a victim of the Basque conflict. The film indeed, shot in 16 millimeters with a solid photography, nearly rocky, brings us back to 2000, in the heart of the armed fight that shocked the director\u2019s life. Filmed with amatour actors, Heltzear is an autobiographical transfiguration focused on adolescence, a necessary moment of painful growth.\u00a0<\/span>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]et\u2019s try to fight the nostalgia evoked by…<\/p>\n","protected":false},"author":2,"featured_media":9272,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[79,89],"yoast_head":"\nFriday August 26 - Concorto Daily - All the reviews<\/title>\n<meta name=\"description\" content=\"Concorto Daily: all the reviews of the shorts in competition and much much more. 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