{"id":9461,"date":"2023-08-18T21:41:52","date_gmt":"2023-08-18T21:41:52","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=9461"},"modified":"2023-08-18T21:41:52","modified_gmt":"2023-08-18T21:41:52","slug":"focus-supernature-2023","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/focus-supernature-2023\/","title":{"rendered":"Supernature 2023 – The reviews"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

curated by Claudia Praolini | reviews by<\/em>\u00a0Sofia Brugali<\/em><\/p>\n

T<\/span><\/strong>hrough the thematic focuses, the Concorto Film Festival aims to examine the phenomena and the aspects of our reality which represent a mirror of desires and contradictions that together form the complexity of human nature. In this year\u2019s framework, something that simply could not miss is a research on the intricate relationship existing between man and nature through a series of short films that analyse it, also bearing in mind that nowadays the foundation of this relationship is the excessive use of resources and the fracture of a global balance, whose heavy consequences have already been registered for a long time now.<\/p>\n

Our planet is at great risk due to the changes led by man, who has already modified 77% of landmass, often by dismembering nature in order to make space for residential, industrial or commercial areas, but also for livestock farming and agricultural activities. Only 23% of landmass remains intact and what the experts are worried about is the exponentially growing trend: from 1990 man has devastated 3.3 millions square km of land. That part of land which is referred to as \u201cwilderness\u201d (by definition \u201cwild nature\u201d), meaning those areas where currently no human invasive activity has been registered, agriculture included, is constantly decreasing and represents only 23% of the whole planet.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”20″ bottom_padding=”20″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”9470,9468,9466,9462,9464,9474,9472,9476″ display_title_caption=”true” layout=”fullwidth” item_spacing=”default” constrain_max_cols=”true” gallery_style=”3″ load_in_animation=”none” img_size=”600×403″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

The selected shorts<\/strong><\/h4>\n

curated by Claudia Praolini<\/em><\/p>\n

Black Summer Australia 2019\/2020\u00a0<\/em>by Felix Dierich, Germany, 2022
\nDas\u00a0Warten\u00a0(The Waiting)\u00a0<\/em>by Volker Schlecht, Germany, 2023
\nFire Season\u00a0<\/em>by Quinn Else, United States, 2021
\nMater Inerta\u00a0<\/em>by Adria E. Goy, Spain, 2022
\nMountain Land: A Celebration\u00a0<\/em>by Kris Ong, Singapore, 2022
\nNuisance Bears\u00a0<\/em>by Jack Weisman and Gabriela Osio Vanden, Canada, 2021
\nSirens\u00a0<\/em>by Ilaria Di Carlo, Germany and Italy, 2022
\nThe Coast\u00a0<\/em>by Sohrab Hura, India, 2021[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Recensioni a cura di Sofia Brugali<\/em><\/p>\n

DAS WARTEN<\/strong><\/p>\n

Volker Schlecht<\/p>\n

La voce della biologa Karen Lips ricostruisce le proprie ricerche sul campo nello stile di un podcast true crime<\/em>, raccontando la sparizione di una specie di rane nella foresta amazzonica. L\u2019accompagna un\u2019animazione in continuo divenire, sagome in cambiamento che suggeriscono l\u2019interconnessione poetica e pericolosa tra tutti gli esseri naturali.<\/p>\n

MATER INERTA<\/strong><\/p>\n

Adria E. Goy<\/p>\n

Teresa vive insieme al suo cane Luna nella Catalogna rurale, in una natura ancora prominente, fatta di boschi, buio e cicale, ma continuamente violata dallo sfruttamento delle risorse. La violenza dell\u2019uomo si esprime nel cortometraggio soprattutto nella sua evoluzione tecnologica – il braccio armato di un sistema in cui patriarcato e capitalismo si alimentano a vicenda. Il giogo antropocentrico viene scosso dall\u2019allontanamento di Luna, inconsapevole del concetto di propriet\u00e0 e simbolo della resistenza del selvatico.<\/p>\n

MOUNTAIN LAND: A CELEBRATION<\/strong><\/p>\n

Kris Ong<\/p>\n

Mountain Land (la Terra delle Montagne<\/em>) \u00e8 un\u2019isola misteriosa, la cui forma ricorda una persona rannicchiata e dormiente. Con un\u2019impostazione da documentario didattico, ma anche con una sensibilit\u00e0 che riluce della meraviglia dei poeti romantici, il documentario di Kris Ong descrive la natura selvaggia e variegata dei paesaggi e degli abitanti dell\u2019isola, sottolineando i falliti tentativi di conquista. In Mountain Land: A Celebration<\/em>, lo stupore abbraccia essere umano ed ambiente, fondendoli in un\u2019unica, sublime visione panteistica del mondo.<\/p>\n

NUISANCE BEARS<\/strong><\/p>\n

Weisman e G. Osio Vanden<\/p>\n

Churchill, in Canada, viene presentata sui siti di viaggio come la meta perfetta in cui avvistare gli orsi polari, che durante l\u2019estate, con lo sciogliersi dei ghiacci, si ritirano sulla terraferma. Un\u2019esperienza sicura, promossa da numerosi tour operator della cittadina e assicurata dalle pattuglie che incessantemente monitorano e determinano il percorso degli animali. Mettendo in discussione il discorso antropocentrico che sostiene tali pratiche, Nuisance Bears<\/em> restituisce un\u2019immagine grottesca, in cui il benessere animale \u00e8 da tutti negato, privato della propria legittimit\u00e0 dalle fotocamere dei turisti e dai fucili dei guardacaccia.<\/p>\n

SIRENS<\/strong><\/p>\n

Ilaria Di Carlo<\/p>\n

Sirens <\/em>\u00e8 un viaggio suggestivo quanto minaccioso tra le lande desolate da anni di politiche estrattive nelle province tedesche della Lusazia e della Renania settentrionale \u2013 Vestfalia. Le riprese ampie, effettuate in elicottero, dall\u2019alto, donano altre prospettive all\u2019occhio dello spettatore: tra onde irregolari di terra sterile, le bocche spalancate al cielo delle centrali elettriche a carbone cantano il loro richiamo di fumo.<\/p>\n

BLACK SUMMER. AUSTRALIA 2019-2020<\/strong><\/p>\n

Felix Dierich<\/p>\n

In Black Summmer. <\/em>Australia 2019-2020<\/em> il regista documenta i devastanti incendi che hanno divorato l\u2019Australia durante l\u2019estate a cavallo tra 2019 e 2020. Un disastro la cui magnitudine \u00e8 sottolineata dallo sguardo pi\u00f9 ampio del satellite meteorologico Himawari-8, spettatore silenzioso ed imparziale. Lo sguardo freddo della macchina viene drammatizzato da impressioni uditive umane: mentre giorno e notte si alternano inesorabili, il crepitare delle fiamme \u00e8 il monito della catastrofe in atto.<\/p>\n

THE COAST<\/strong><\/p>\n

Sohrab Hura<\/p>\n

Ambientato durante le festivit\u00e0 religiose nella regione indiana di Tamil Nadu, The Coast <\/em>celebra la connessione tra uomo e natura, sulla zona di confine tra terra e mare. Nella violenza delle onde che si allungano e ritraggono, facendo vibrare il corpo di emozioni contrastanti, Sohrab Hura esalta gli opposti come complementari\u2013 non elementi binari, ma continuum unico e circolare.<\/p>\n

 <\/p>\n

FIRE SEASON<\/p>\n

Quinn Else<\/p>\n

Fire Season<\/em> documenta in maniera originale gli incendi che hanno devastato la California nel 2021, fondandosi su due livelli narrativi: da una parte le immagini ritraggono la realt\u00e0 della devastazione in atto ai danni dell\u2019ambiente; dall\u2019altra il suono dei telefoni cellulari e le domande rivolte all\u2019intelligenza artificiale sottolineano l\u2019alienazione degli esseri umani. Il crepitante grido del fuoco che consuma la materia, l\u2019estinguersi mortale dell\u2019ossigeno, l\u2019inquietante spettacolo delle fiamme che tingono il cielo vengono interpretati solo nella loro suggestiva teatralit\u00e0, quasi la Terra fosse un\u2019arena in cui l\u2019essere umano siede indisturbato nella platea. Man mano che le voci diventano sempre pi\u00f9 distorte, per\u00f2, l\u2019azione pare coinvolgere l\u2019indifferente spettatore, a monito del suo ruolo di attore.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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