{"id":9526,"date":"2023-08-20T10:44:14","date_gmt":"2023-08-20T10:44:14","guid":{"rendered":"https:\/\/asinovolablog.it\/?p=9526"},"modified":"2023-08-20T16:19:45","modified_gmt":"2023-08-20T16:19:45","slug":"concorto-daily-sunday-20","status":"publish","type":"post","link":"https:\/\/asinovolablog.it\/en\/concorto-daily-sunday-20\/","title":{"rendered":"Concorto Daily &#8211; August 20"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]<strong><span class=\"nectar-dropcap\" style=\" color: #f1564f;\">S<\/span><\/strong>unday at the Concorto is an end-of-summer treat, with short films in competition, out of competition, and a vernissage. Let\u2019s see what is waiting for you.<\/p>\n<p>Rendezvous at 9 pm in Parco Raggio for the screening of the films in competition (do not forget to join us at 8 p.m. for a nice dinner under the stars), followed by the vernissage of the exhibition \u201cLungo la strada\u201d (Along the Road) in the greenhouse at 11 p.m. The night will go on with the screening of the second part of <a href=\"https:\/\/asinovolablog.it\/en\/deep-night-reviews-2023\/\">Deep Night<\/a> at midnight.<\/p>\n<p>Meanwhile, UGANDA&#8217;s concert will take place at the Grove at 11:30 pm.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;20&#8243; bottom_padding=&#8221;20&#8243; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;9527,9539,9531,9537,9533,9535,9529,9541&#8243; display_title_caption=&#8221;true&#8221; layout=&#8221;fullwidth&#8221; item_spacing=&#8221;default&#8221; constrain_max_cols=&#8221;true&#8221; gallery_style=&#8221;3&#8243; load_in_animation=&#8221;none&#8221; img_size=&#8221;600&#215;403&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Todo Incluido &#8211; Duvan Vargas<br \/>\n<em>As seen by Francesca Marchesini<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">Duv\u00e1n Vargas gives us a glimpse of a family spied from behind pulled-over doors and the back seat of a car. \u00a0 \u00a0 Fer sees his parents while they argue and reunite: it is possible to feel curiosity and fear; the viewer&#8217;s heart stops with his heart, in panic, when those &#8216;grown-up talks&#8217; upset the balance. Fer&#8217;s life is all-inclusive: there is love and rage, fear and serenity. It is not the story of a child who has grown up too fast, but of a young boy facing the reality of adult life.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Before Leaving &#8211; Kunao Yan<br \/>\n<em>Visto da Virginia Marcolini<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">Prima di partire dalla Cina per studiare all\u2019estero, Xiao Jun fa un viaggio con la sua famiglia per andare a trovare i nonni, dopo due anni di separazione dettati dalla pandemia Covid. Qui si trover\u00e0 a riscoprire luoghi un tempo familiari, ora vissuti con una nuova lente.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Before Leaving <\/span><\/i><span style=\"font-weight: 400;\">indaga la persistenza della memoria e il suo rapporto con la mutevolezza dello spazio e del tempo. Il conosciuto si sbiadisce e si altera inesorabilmente, lasciando spazio a nuove forme. Questo disallineamento tra <\/span><i><span style=\"font-weight: 400;\">ricordo<\/span><\/i><span style=\"font-weight: 400;\"> e <\/span><i><span style=\"font-weight: 400;\">presente<\/span><\/i><span style=\"font-weight: 400;\"> genera spaesamento nel protagonista, che tramite la sua macchina da presa cerca di afferrare come pu\u00f2 questi nuovi vecchi luoghi. \u00c8 proprio grazie a questo ritorno che sar\u00e0 in grado di affrontare l\u2019imminente partenza verso un\u00a0futuro\u00a0ignoto.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Ressources Humaines &#8211; Trinidad Plass Caussade, Titouan Tillier, Isaac Wenzek<br \/>\n<em>As seen by Anna Vullo<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">&#8220;Wait. Two seconds&#8230;&#8221; we hear from the voice-over as he turns on the camera. Andy waits to be focused, then he enters what would appear to be an antique shop. \u00a0 \u00a0 But he is not there to buy a watch or a vintage coat. He is there for his &#8216;recycling appointment&#8217;. All that junk put together with no apparent logic were actually people who, like Andy, chose to be recycled (literally), even being able to choose what to become at the end of the process. In Andy&#8217;s case: a chair. Thanks to the contrast between the terrifying practice and the disarming calm of the characters, the short film creates a sense of alienation and agitation in the viewer who, like the camera, watches helplessly. Filmed using the stop-motion technique, this animated short is a six-handed work that, despite its particularly short duration, recalls and redefines topical themes such as the overbearing exploitation of resources and, at last, of the man.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Greylands &#8211; Charlotte Waltert, Alvaro Schoeck<br \/>\n<em>As seen by Francesca Marchesini<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">Charlotte Waltert&#8217;s short film takes inspiration from two short stories by Swiss writer Meinrad Inglin that deal with accepting grief and creating a bond with death. Animation enhances their purity, and it seems like this audio-visual language was created to analyze an intimate and sometimes alienating theme that necessarily challenges the concepts of \u201cconcrete\u201d and \u201cmaterial\u201d.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">P\u00e1ssaro Mem\u00f3ria &#8211; Leonardo Martinelli<br \/>\n<em>Visto da Anna Vullo<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">Nelle strade all\u2019alba di Rio de Janeiro incontriamo Lua, una donna transgender, alla ricerca del suo pappagallino verde Memoria che, per\u00f2, non ricorda pi\u00f9 la strada di casa. In questa citt\u00e0 avversa sar\u00e0 soltanto una persona ad aiutarla a cercare il suo uccellino e, infine, a ritrovare s\u00e9 stessa. Come <\/span><i><span style=\"font-weight: 400;\">Neon Phantom<\/span><\/i><span style=\"font-weight: 400;\">, altro cortometraggio del regista brasiliano Leonardo Martinelli incluso in questa edizione di Concorto (all\u2019interno del focus <\/span><i><span style=\"font-weight: 400;\">Brazil)<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">P\u00e1ssaro Mem\u00f3ria<\/span><\/i><span style=\"font-weight: 400;\"> parla dell\u2019ostilit\u00e0 della citt\u00e0 brasiliana nei confronti di categorie sociali pi\u00f9 emarginate. Anche qui si trova rifugio nella musica, in una camminata che diventa senza accorgersene una danza. In un\u2019intera citt\u00e0 che lascia da parte la vita di tutti i giorni e inizia a ballare insieme. In un solo gesto che pu\u00f2 portare in un altro posto e tempo pi\u00f9 bello. Soltanto cos\u00ec la protagonista si sentir\u00e0 appartenere veramente alla citt\u00e0. \u00c8 vero, pensare a persone che vanno in giro a ballare non \u00e8 molto realistico. Ma d\u2019altronde, a Lua il realismo non \u00e8 mai piaciuto.\u00a0<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Pas le temps &#8211; Camille Lugan<br \/>\n<em>As seen by Francesca Marchesini<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">A bicycle hurtles through the dark streets of an empty city. The woman riding it cycles from restaurant to restaurant, wondering whether she will earn a bonus thanks to her next delivery and if her love will still be at home waiting for her. A short film about the speed and fragility of relationships, and all the fears and doubts that comes with them.<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">The Debutante &#8211; Elizabeth Hobbs<br \/>\n<em>As seen by Chiara Ghidelli<\/em><\/span><\/h5>\n<p><span style=\"font-weight: 400;\">The debutante ball is a social event born in the 18th century in order to launch girls who are approaching the age of majority into society.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is for this occasion that a young woman convinces a hyena, her dear and perhaps only true friend, to leave the London Zoo to take her place in front of all eyes. Eyes, however, unable to see beyond an elegant evening gown. Based on a short story by Leonora Carrington, The Debutante is a female portrait of a woman in the midst of claiming her own space and body in society as much as in her own mind. A story of growth and bond, Elizabeth Hobbs&#8217; tale paints an inner landscape of colour, paint, sketches and collage. An evolving world that follows the rhythms and power of a woman&#8217;s body, ready to explode like a firework in its maximum form of beauty.<\/span>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]\n<h5><span style=\"color: #f1564f;\">Tondex 2000 &#8211; Jean-Baptiste Leonetti<br \/>\n<em>As seen by Chiara Ghidelli<\/em><\/span><\/h5>\n<p>Sylvain is a war veteran who fought in Afghanistan and who lives, or rather survives, at the limit of legality, with what society and his psychophysical state allow him to have. Nathalie is a woman, the head of an important company, and the mother of a child. In a meeting\/dispute of lives, genders, social classes and roles, the two will discover how to make two opposite and, perhaps, complementary traumas touch and even embrace. Set in contemporary France, Tondex 2000 moves in the delicate tale of invisible lives and lives plain to all, creating a portrait capable of highlighting contradictions and similarities, ability and inability of an entire society. In an attempt to describe a reality that is complex to decipher and explain, Jean-Baptiste Leonetti tells us how conflict is only apparently external, highlighting internal conflicts capable of connecting even the most opposing forces.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; 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