curated by Yorgos Kostianis They say that the history of the world is, almost exclusively, forged by failed projects and hopes betrayed – hence the seventh, being the art that…
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curated by Yorgos Kostianis Are you familiar with the late Harold Ramis’ 90s cult classic “Groundhog Day”? You know, the one in which Bill Murray portrays a journalist who…
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There has been a great deal of talking about Yorgos Lanthimos "The Favourite" and we could not spare our high opinion about it. But with something new; we have added…
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Much awaited and talked about, here comes Guadagnino's remake of Dario Argento's cult film Suspiria. But is it a real remake? Femininity, feminism, aesthetics never so far from ethics (is…
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Et voilà! For the second year in a row AsinoVola's newsroom has something to say about 2018 best films. Once again there is no "single winner", however its is evident…
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Roma, by Alfonso Cuarón, was much talked about because of many reasobs: it has been distributed by Netflix, it was awarded the Leone D'oro at Venice Film Festival. We will address…
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written by Margherita Fontana It’s been a while since our return home and here’s a short report from Concorto trip to Interfilm - International Short Film Festival Berlin. The…
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Produced by Netflix, The Ballad of Buster Scruggs by the Coen Brothers recalls, in its structure, the original idea of this film, a series of shorts/episodes dedicated to the myth…
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The Children Act, based on Ian McEwan's book, features a divine performance by Emma Thompson; but is this enough to justify the unanimous international appreciation? Elena Saltarelli stands out with an…
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Like clockwork, here's the new film by Paolo Virzì. A mix between a virulent j'accuse of Italian cinema (yesterday's? today's?) and a personal Amarcord, Notti Magiche (Magic Nights) seems like…
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