An "adult animated anthology", it is a too tempting bait not to be featured in this blog (looking forward the shorts wave of the upcoming Concorto Film Festival). Here are...
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Love him or hate him, Gaspar Noè rarely leaves indifferent. Inevitably, we've been allured by his cinematography and we plunged in CLIMAX, his last ordeal. An aesthetic horror such as...
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curated by Yorgos Kostianis They say that the history of the world is, almost exclusively, forged by failed projects and hopes betrayed – hence the seventh, being the art that...
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There has been a great deal of talking about Yorgos Lanthimos "The Favourite" and we could not spare our high opinion about it. But with something new; we have added...
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Much awaited and talked about, here comes Guadagnino's remake of Dario Argento's cult film Suspiria. But is it a real remake? Femininity, feminism, aesthetics never so far from ethics (is...
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Et voilà! For the second year in a row AsinoVola's newsroom has something to say about 2018 best films. Once again there is no "single winner", however its is evident...
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Roma, by Alfonso Cuarón, was much talked about because of many reasobs: it has been distributed by Netflix, it was awarded the Leone D'oro at Venice Film Festival. We will address...
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Produced by Netflix, The Ballad of Buster Scruggs by the Coen Brothers recalls, in its structure, the original idea of this film, a series of shorts/episodes dedicated to the myth...
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The Children Act, based on Ian McEwan's book, features a divine performance by Emma Thompson; but is this enough to justify the unanimous international appreciation? Elena Saltarelli stands out with an...
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Like clockwork, here's the new film by Paolo Virzì. A mix between a virulent j'accuse of Italian cinema (yesterday's? today's?) and a personal Amarcord, Notti Magiche (Magic Nights) seems like...
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