Love him or hate him, Gaspar Noè rarely leaves indifferent. Inevitably, we've been allured by his cinematography and we plunged in CLIMAX, his last ordeal. An aesthetic horror such as...
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curated by Yorgos Kostianis They say that the history of the world is, almost exclusively, forged by failed projects and hopes betrayed – hence the seventh, being the art that...
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There has been a great deal of talking about Yorgos Lanthimos "The Favourite" and we could not spare our high opinion about it. But with something new; we have added...
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Much awaited and talked about, here comes Guadagnino's remake of Dario Argento's cult film Suspiria. But is it a real remake? Femininity, feminism, aesthetics never so far from ethics (is...
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Et voilà! For the second year in a row AsinoVola's newsroom has something to say about 2018 best films. Once again there is no "single winner", however its is evident...
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Roma, by Alfonso Cuarón, was much talked about because of many reasobs: it has been distributed by Netflix, it was awarded the Leone D'oro at Venice Film Festival. We will address...
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Produced by Netflix, The Ballad of Buster Scruggs by the Coen Brothers recalls, in its structure, the original idea of this film, a series of shorts/episodes dedicated to the myth...
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The Children Act, based on Ian McEwan's book, features a divine performance by Emma Thompson; but is this enough to justify the unanimous international appreciation? Elena Saltarelli stands out with an...
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Like clockwork, here's the new film by Paolo Virzì. A mix between a virulent j'accuse of Italian cinema (yesterday's? today's?) and a personal Amarcord, Notti Magiche (Magic Nights) seems like...
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Sebastián Lelio, now at his third international feature film after the Oscar winning Una Mujer Fantástica, brings us into an unassuming and restrained London, staging what it might seem an old-style...
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