Et voilà! For the second year in a row AsinoVola's newsroom has something to say about 2018 best films. Once again there is no "single winner", however its is evident...
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Roma, by Alfonso Cuarón, was much talked about because of many reasobs: it has been distributed by Netflix, it was awarded the Leone D'oro at Venice Film Festival. We will address...
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Produced by Netflix, The Ballad of Buster Scruggs by the Coen Brothers recalls, in its structure, the original idea of this film, a series of shorts/episodes dedicated to the myth...
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The Children Act, based on Ian McEwan's book, features a divine performance by Emma Thompson; but is this enough to justify the unanimous international appreciation? Elena Saltarelli stands out with an...
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Like clockwork, here's the new film by Paolo Virzì. A mix between a virulent j'accuse of Italian cinema (yesterday's? today's?) and a personal Amarcord, Notti Magiche (Magic Nights) seems like...
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Sebastián Lelio, now at his third international feature film after the Oscar winning Una Mujer Fantástica, brings us into an unassuming and restrained London, staging what it might seem an old-style...
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Never look away, by Florian Henckel von Donnersmarck - director of great movies such as "The lives of others" - is arguably one of the most complex movies of this...
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A legendary movie, almost a pipe dream , an obsession that has inhabited Gilliam's head for decades. Margherita Fontana and Carlotta Magistris tell us their surreal experience, as always happens...
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Spike Lee's lates work, BlacKkKlansman invites us to look at the (near) past to better understand our ambiguous present. Sofia Brugali and Margherita Fontana delight us with two reviews that, as...
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Four years after Grand Budapest Hotel, Wes Anderson brings us back to the dark cinema halls with his second animation movie, in a dialectic dialogue with his first unforgiven (and...
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